Horror Queers

Here's a sneak peek at our all new Patreon episode on Marcus Nispel's 2003 film The Texas Chainsaw Massacre! Is this one of the best horror remakes ever made? We think so!

Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today!

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This week on Micro Queers, we're discussing Jill "Sixx" Gevargizian's short The Stylist (click the link to view the 14-minute-long short), about a hair dresser who covets the hair of her clients to bloody effect.

Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners

> Trace: @tracedthurman

> Joe: @bstolemyremote

Also, don't forget to support the boys on Patreon!

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Happy Friday the...12th! We're giving you a reason to ki ki ki, ma ma ma anyways with our discussion of all things Jason Voorhees in Friday the 13th Part 7: The New Blood (1988). Joining us is super fan Greg Mucci, who has controversial franchise opinions, as well as helpful sexual dietary advice (you want spunk talk? Well, we're giving it to you!)

Join us as we complain about the million characters, the missing gore and the lack of closure between Tina and Dr. Crews. Plus: the indestructible Kane Hodder, justice for Maddy and Eddie, hating Robin and Melissa and why Trace finds the ending so damn unsatisfying.

Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners

> Trace: @tracedthurman

> Joe: @bstolemyremote

> Greg: @reelbrew

Support the boys on Patreon and shop our online store for your very own Horror Queers merchandise! 

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Get your strong hands out because we're discussing our first full-blown parody with Keenen Ivory Wayans' 2001 crude spoof Scary Movie 2! Joining us for the discussion is "The Oprah of Horror" (and Horror Movies and Beyond host) Ivotres Littles!

Join us as we look at this wackadoodle time capsule into the types of comedies we were getting in the early aughts, note the differences between parody and satire, and try (TRY) to figure out which jokes work and which works don't. But hey, all humor is subjective, right?

Plus: why Scary Movie 2 couldn't be made today, how the film and its humor have aged, its incredibly rushed production timeline and (of course) all the praise for Anna Faris and Regina Hall.

Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners

> Trace: @tracedthurman

> Joe: @bstolemyremote

> Ivotres: @HMoviesBeyond | YouTube Channel

Support the boys on Patreon and shop our online store for your very own Horror Queers merchandise! 

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Here's a sneak peek at our all new Patreon episode on Mike P. Nelson's reboot/remake/re-whatever of Wrong Turn, which is out on Blu-Ray and VOD. Our verdict: it's worth a watch!

Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today!

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This week on Micro Queers, we're discussing Kyle Reaume's short Ecstasy (click the link to view the 4-minute-long short), about a man who would do anything to be touched by his former lover once more.

Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners

> Trace: @tracedthurman

> Joe: @bstolemyremote

Also, don't forget to support the boys on Patreon!

Hosted on Acast. See acast.com/privacy for more information.

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This week, in honor of trick baby Trace's birthday, we're delving into Matthew Bright's Freeway (1996), a "white trash" exploitation/rape revenge/little red riding hood genre mash-up starring a very foul mouthed Reese Witherspoon and predatory perv Kiefer Sutherland. Content warning: pedophilia, sexual assault, suicide and racism.

We discuss the stacked cast, the line between satire, parody and offensive humor, and the film's surprisingly smart class critique. Plus: Trace's favorite lines, Joe's difficulty divorcing the film from recent events and Brooke Shields' earrings! This is basically "genre whiplash, the movie" - it's A LOT and it's amazing.

Reference: Roberts, Kimberley. "Pleasures and Problems of the “Angry Girl” in Sugar, Spice and Everything Nice: Cinemas of Girlhood (Edited Collection)

Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners

> Trace: @tracedthurman

> Joe: @bstolemyremote

Support the boys on Patreon and shop our online store for your very own Horror Queers merchandise! 

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Here's a sneak peek at our all new Patreon episode on the new "Nicolas Cage fights animatronic creatures" film Willy's Wonderland (2020), which is out on VOD. Our verdict: don't pay the $20 premium rental fee.

Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today!

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On this week's episode, we're digging up queer writer/director Adam Robitel's found footage shocker The Taking of Deborah Logan!

After discussing the tropes of the found footage sub-genre, we'll discuss Robitel's ties to the Paranormal Activity franchise, and how this film does and doesn't stand out from its peers.

We'll also try to answer the most common questions brought up in discussions of the film: is the conflation of mental illness with possession offensive? Should the film have steered away from using First Nations/Indigenous practices as a plot point? (Why can't it just be a white person murder ritual, Karen?) and should more be made about Sarah's sexuality?

Plus: old lady possession vs hot young girl possession (paging Jennifer Carpenter!), snake wrangler sex jokes, concerns about the number of attics in a single house and, of course, lezzing out over Sarah and Sheriff Tweedy. 

And of course: our thoughts on that money shot scene. 

Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners

> Trace: @tracedthurman

> Joe: @bstolemyremote

Support the boys on Patreon and shop our online store for your very own Horror Queers merchandise!

Hosted on Acast. See acast.com/privacy for more information.

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This week on the pod, we're headed back to Bly Manor with Jack Clayton's 1961 classic, The Innocents (see also: last year's Patreon episode on The Haunting of Bly Manor). This classic Gothic Horror film is reminiscent of Diabolique, Rebecca and The Haunting and has a strong queer connection thanks to screenwriter Truman Capote, whom we discuss at length, including Trace’s hatred of Holly Golightly.

Plus: an influential 15th century picture book, Cinemascope challenges, the genesis of Austin Powers, and evil children. But the real question is whether Miss Giddens is going mad...or are there actually ghosts?

Reading: Treddy, Dennis. "Shadows of Shadows: Techniques of Ambiguity in Three Film Adaptations of The Turn of the Screw

Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners

> Trace: @tracedthurman

> Joe: @bstolemyremote

Be sure to support us on Patreon! 

Hosted on Acast. See acast.com/privacy for more information.

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