Horror Queers

Ride that hippo and stay off the floor because we are talking about Bryan Fuller's feature directorial debut, Dust Bunny (2025).

Starring a perfectly cast Sophie Sloan as a young girl who hires a nameless hitman (Mads Mikkelsen) to kill the monster under her bed, this is a throwback to classic gateway horror films from the Amblin era.

Plus: Sigourney Weaver (and her gun heels), praise for balancing so many genres/tones, homages aplenty, and a new reason to get excited about The Vampire Lestat (hint: it's Sheila Atim).

Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group or the Horror Queers Discord to get in touch with other listeners.

> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)

> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) 

Be sure to support the boys on Patreon!  

Theme Music: Alexander Nakarada  

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Grab those dice, Sonny Jim! Roll with the punches and and pray they read 5 or 8 because we're talking Joe Johnston's original gateway horror creature feature Jumanji (1995) for its 30th anniversary, or as it could also be called: 'Daddy Issues: The Movie'.

Join us as we go all in on the film that made Trace a fan of creature features to begin with. From its dark tone (especially when compared to the newer Jumanji films) to its scary imagery (will anything be more terrifying that watching little Alan Parrish get sucked into the game?), they just don't make kids' movies like this anymore!

Plus, animatronics vs. CGI, the "cruel torture" subjected to actor Bradley Pierce during the production, our many, many issues with the ending, and why the film needs more Bebe Neuwirth.

CORRECTIONS: Trace makes 2 errors in this episode:

1. Christopher Daniel Barnes (Greg in the Brady Bunch movies), voices Prince Eric in The Little Mermaid, not Aladdin in Aladdin.
2. Laura Bell Bundy did not win "Legally Blonde: The Musical: The Search for Elle Woods". She originated the role of Elle Woods in the original Broadway production, with Bailey Hanks winning the reality show and replacing her. 

Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group or the Horror Queers Discord to get in touch with other listeners.

> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)

> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) 

Be sure to support the boys on Patreon!  

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Here's a sneak peek at our all new full-length Patreon episode on Rian Johnson's third Knives Out film Wake Up Dead Man (2025).

Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today!

Theme Music: Alexander Nakarada

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Touch that alien rock and film yourself doing *everything* because we are talking about Josh Trank's superhero (villain?) film, Chronicle (2012).

This found footage film features strong performances by Dane DeHaan and a charismatic Michael B. Jordan, as well as a clever explanation for the usual "why/how are they filming everything" issue.    

Plus: shitty teen boys, aborted sequels, and Trace's worst performance on a game to date!

Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group or the Horror Queers Discord to get in touch with other listeners.

> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)

> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) 

Be sure to support the boys on Patreon!  

Theme Music: Alexander Nakarada  

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, we chat with writer/director Bryan Fuller (Hannibal, Pushing Daisies, Dead Like Me) about his feature directorial debut: the R-rated gateway horror film Dust Bunny. 

Topics include our bafflement at that R rating, discovering the origins of the project and diving into Fuller's maximalist style (which he attributes to his "untethered f****try").

But wait! There's more! We also get updates on his planned fourth season of Hannibal(!!!) and his planned third season of Pushing Daisies(!!!!!!!!!!!).

Questions? Comments? Snark? Connect with the boys on ⁠Twitter⁠, ⁠Instagram⁠, ⁠Youtube⁠, ⁠Letterboxd⁠, ⁠Facebook⁠, or join the ⁠Facebook Group⁠ to get in touch with other listeners

> Trace: ⁠@tracedthurman⁠

> Joe: ⁠@bstolemyremote⁠

Be sure to support the boys on ⁠Patreon⁠! 

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Get ready for a bunch of all-star cameos (Christopher Walken! Jeff Goldblum! Beverly D'Angelo! John Carradine! Ava Gardner!) and one truly bonkers climax because we're discussing Michael Winner's 1977 chiller The Sentinel!

Join us as we go all in on this messy little film, albeit one with a lot of great ideas. It's one of the rare times you'll hear us say that a movie is too short, because it seems like there are full scenes missing from this thing. Still, it's got some great effects (that nose slice!), courtesy of industry vet Dick Smith (The Exorcist). 

Plus: defining "tasteful" masturbation, trying to figure out the logistics behind the Catholic church's grand master plan and the bizarre lack of consent it entails, and Trace not only learning what a sentinel is, but majorly flubbing Joe's game.

Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group or the Horror Queers Discord to get in touch with other listeners.

> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)

> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) 

Be sure to support the boys on Patreon!  

Theme Music: Alexander Nakarada 

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Squirrel away those pills and burn that manuscript because we're talking about Rob Reiner's adaptation of Stephen King's Misery (1990).

Joining us for the discussion is comedian Roz Hernandez, who has begun (but maybe never finished?) every King novel.

We're talking Kathy Bates' Academy award winning performance as Annie Wilkes, a horny Sheriff & Deputy combo, and multiple fiery manuscripts.

Plus: toxic (queer) fandom, Lauren Bacall's smoker voice, the FX we do - and don't - see, and pranking Barnes & Noble employees 

Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group or the Horror Queers Discord to get in touch with other listeners.

> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)

> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) 

> Roz: @rozhernandez (Instagram) / Ghosted Podcast

Be sure to support the boys on Patreon!  

Theme Music: Alexander Nakarada  

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Wipe that shit-eating grin off your face and heed all of the content warnings (seriously), because we're discussing Pier Paolo Pasolini's notorious anti-fascist 1975 film Salò, or the 120 Days of Sodom. Tagging in for the conversation is Zoë Rose Smith, the co-host of the Tainted Love podcast!

Join us as we do a very deep dive into this controversial film, beginning with a Pasolini primer before parsing through the film's graphic depictions of sexual assault, torture, sadomasochism and coprophilia. This is an extremely challenging film, but dare we say we admire it?

Plus: debating the queer representation in the film (can it be both positive and negative?), comparisons to our current political climate and discussing whether or not the film qualifies as porn (it doesn't).

Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group or the Horror Queers Discord to get in touch with other listeners.

> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)

> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) 

> Zoë: @zobowithashotgun (BlueSky) / @zobowithashotgun (Instagram)

Be sure to support the boys on Patreon!  

Theme Music: Alexander Nakarada   

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Here's a sneak peek at our all new full-length Patreon episode on Dan Trachtenberg's third predator film Predator: Badlands (2025).

Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today!

Theme Music: Alexander Nakarada

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Arachnophobes beware: we're discussing writer/director Mathieu Morel's 44 minute film Anapidae (Call Me), which is about an unusual graveyard caretaker who befriends the grieving widow of his dead lover.

Oh, and he also has a pet tarantula that appears to be growing larger (metaphor alert!)

Plus: what we like and dislike about this "novella", a Yann Gonzalez (Knife + Heart) connection, and making heads and tales of the dream-like sequences in the film.

Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group or the Horror Queers Discord to get in touch with other listeners.

> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)

> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) 

Be sure to support the boys on Patreon!  

Theme Music: Alexander Nakarada   

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.