Horror Queers

This week on Micro Queers, we're discussing Kyle Reaume's short Ecstasy (click the link to view the 4-minute-long short), about a man who would do anything to be touched by his former lover once more. Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote Also, don't forget to support the boys on Patreon! Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, in honor of trick baby Trace's birthday, we're delving into Matthew Bright's Freeway (1996), a "white trash" exploitation/rape revenge/little red riding hood genre mash-up starring a very foul mouthed Reese Witherspoon and predatory perv Kiefer Sutherland. Content warning: pedophilia, sexual assault, suicide and racism. We discuss the stacked cast, the line between satire, parody and offensive humor, and the film's surprisingly smart class critique. Plus: Trace's favorite lines, Joe's difficulty divorcing the film from recent events and Brooke Shields' earrings! This is basically "genre whiplash, the movie" - it's A LOT and it's amazing. Reference: Roberts, Kimberley. "Pleasures and Problems of the “Angry Girl” in Sugar, Spice and Everything Nice: Cinemas of Girlhood (Edited Collection) Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote Support the boys on Patreon and shop our online store for your very own Horror Queers merchandise!  Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Here's a sneak peek at our all new Patreon episode on the new "Nicolas Cage fights animatronic creatures" film Willy's Wonderland (2020), which is out on VOD. Our verdict: don't pay the $20 premium rental fee. Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today! Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode, we're digging up queer writer/director Adam Robitel's found footage shocker The Taking of Deborah Logan! After discussing the tropes of the found footage sub-genre, we'll discuss Robitel's ties to the Paranormal Activity franchise, and how this film does and doesn't stand out from its peers. We'll also try to answer the most common questions brought up in discussions of the film: is the conflation of mental illness with possession offensive? Should the film have steered away from using First Nations/Indigenous practices as a plot point? (Why can't it just be a white person murder ritual, Karen?) and should more be made about Sarah's sexuality? Plus: old lady possession vs hot young girl possession (paging Jennifer Carpenter!), snake wrangler sex jokes, concerns about the number of attics in a single house and, of course, lezzing out over Sarah and Sheriff Tweedy.  And of course: our thoughts on that money shot scene.  Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote Support the boys on Patreon and shop our online store for your very own Horror Queers merchandise! Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Here's a sneak peek at our all new Patreon episode on Rose Glass' astounding debut feature Saint Maud (2019), which is now in theaters and available to stream on EPIX! Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today! Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Micro Queers, we're discussing Matthew Marron's short First Date Fuzzy (click the link to view the 4-minute-long short), about a hook-up ruined by the presence of a large stuffed animal. Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote Support the boys on Patreon and shop our online store for your very own Horror Queers merchandise!  Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Just in time for Singles Awareness Day, we're losing our hearts to the 1981 Canadian slasher, My Bloody Valentine...or at least Joe is. Trace is more lukewarm on the George Mihalka film, which suffers from an uninspired villain reveal and too many characters. We discuss the size (and deliciousness?) of hearts, why TJ's narrative is important for small town Nova Scotians, the cost of dirtying up a mine and Joe's strange personal connection to one of the film's actors. Plus: love triangles, the film's censorship woes, Scream Factory gore and Scooby Doo antics. Happy Valentine's Day, everybody! Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote Support the boys on Patreon and shop our online store for your very own Horror Queers merchandise!  Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our month of 3s has ended, so we're kicking off February with a discussion of Vincenzo Natali's supremely messed up sci-fi horror film (and secret Dark Castle film) Splice, which also acts as an early celebration of Joe's birthday! Joining us for the chat is Prince Jackson, host of our sister podcast Knight Light! Before we get to it, just a heads up if you've never seen the film: we're issuing content warnings for rape, animal death, incest and (depending on how you view Dren) pedophilia and/or bestiality. Obviously, we've got to talk about that ending, but we'll also gush over Canadian national treasure Sarah Polley, debate the film's unlikable mad scientist protagonists and try to gauge audience reactions when this hit theaters 11 years ago. Plus, discussions of bad parenting paired with comparisons to Renny Harlin's Deep Blue Sea and Francis Ford Coppola's Jack! Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote > Prince: @theheadknight / Pod: Knight Light: A Horror Movie Podcast Support the boys on Patreon and shop our online store for your very own Horror Queers merchandise!  Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Micro Queers, we're discussing John Clayton's short Schism (click the link to view the 8-minute-long short), an animated personification of the fear of public intimacy. Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote Support the boys on Patreon and shop our online store for your very own Horror Queers merchandise!  Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our month of 3s comes to a close with David Fincher's Alien 3 (1992), which may take the prize for most convoluted production history. Here to help us make sense of the Assembly Cut (not the theatrical cut) is returning guest Sade Sellers (see previous episode Orphan), who has issues with the film's treatment of Ripley (Sigourney Weaver) and sexual assault (content warning!) Plus: our secret connections to the number three, the xenomorph as drag queen, the differences between the theatrical and assembly cuts and Charles S. Dutton as a sacrificial lamb. Also: Joe's love of Charles Dance, confusion over "womb stuff" and why Fincher needs to get over his hatred of his directorial debut. References: Anat Zanger. Film Remakes as Ritual and Disguise: From Carmen to Ripley Scott Tafoya. "The Unloved, Part 1: Alien 3". Roger Ebert.com Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote > Sade: @IAMSadeSellers / Pod: Afro Horror Support the boys on Patreon and shop our online store for your very own Horror Queers merchandise!  Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices