Underneath this nice sleazy-looking box art that has absolutely nothing to do with the films, comes this cool & bizarre little Horror/Thriller anthology thingy called Final Destinations, featuring 4 different macabre tales with "the road" being a general theme, as they all have some driving or vehicles involved in the stories. Playing out like the Twilight Zone or a "Tales From..." with plenty of black humor in the mix, they're all actually pretty interesting and quite well-made considering the small budgets I imagine the filmmakers were working with.
Cast
Catherine Theobald
May (segment "Final Destinations")
Fred Gartner
Earl Thorpe (Psycho) (segment "Final Destinations")
Eduard Erslovas
First Mean Guy (segment "Roadkill")
Dave Kost
Other Mean Guy (segment "Roadkill")
Joe Margolis
Headless Guy (segment "Roadkill")
Peter Ortel
Marvin (segment "Groovy Ghoulie Garage")
Christopher Prestia
Ed (segment "Groovy Ghoulie Garage")
Todd Toon
Rob Ghoulie (segment "Groovy Ghoulie Garage")
Ron Linares
The Visitant (segment "The Visitant")
Susan Rinell
The Girl (segment "The Visitant")
Kashi Way
The Boy (segment "The Visitant")
Dory Forma
The Ghoul (segment "The Visitant")
Paul Bunnell
The Runner (segment "The Visitant")
Peter Renaday
The Narrator (segment "The Visitant")
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- Release Date 01/21/1990
- Language English
- Directors Dave Kost, James Salisbury, Northrop Davis, Paul Bunnell
- Writers James Salisbury, Philip Salisbury, Paul Bunnell
- Editor Paul Bunnell
- Cinematographers Stacy Sampieri, Paul Bunnell
- Producers James Salisbury, Paul Bunnell
- Company Platinum Productions
| Country | Date | Format | Certification |
|---|---|---|---|
| United States | Jan 21, 1990 | Theatrical | — |
Final Destinations Ratings
Overall
Overall rating of the media
Scares
How effective are the jump scares
Atmosphere
How immersive and tense is the atmosphere
Gore
Level and quality of gore/violence
Story
Quality of the storyline and plot
Special Effects
Quality of special/visual effects
Sound Design
Audio quality and sound effects
Pacing
Flow and timing of the narrative