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Leviticus might be one of the boldest horror films of the year—but is it actually scary?

In this spoiler-free review, I break down why Leviticus is much more than a traditional horror movie. Directed by Adrian Chiarella, this slow-burn psychological horror explores love, desire, religion, repression, and identity through one of the most original horror concepts in recent years.

I discuss what worked, what didn't, the incredible performances by Joe Bird and Stacy Clausen, the film's bleak industrial atmosphere, its powerful themes, and why I think it feels like a mix of It Follows and Obsession. I also explain why the central monster is one of the most fascinating horror metaphors I've seen in a long time.

If you enjoy elevated horror, psychological horror, A24-style films, coming-of-age horror, or character-driven stories that stay with you long after the credits roll, this review is for you.

What I cover:

• Spoiler-free review
• Story and themes
• Performances
• Cinematography and atmosphere
• The horror concept explained
• What worked
• What didn't
• Final rating

What did you think of Leviticus? Did the slow-burn approach work for you? Let me know your thoughts in the comments!

If you enjoy horror reviews, movie discussions, and deep dives into the genre, don't forget to Like, Subscribe, and hit the notification bell for more videos from After the Scream with Chris & Jess.

#Leviticus #LeviticusReview #Horror #HorrorMovies #MovieReview #PsychologicalHorror #IndieHorror #SlowBurnHorror #ComingOfAge #FilmReview #AfterTheScream

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Eli Roth's Ice Cream Man has finally dropped its first trailer, and this thing looks absolutely insane.

In this reaction and breakdown, we take a look at the new trailer for Ice Cream Man, Eli Roth's upcoming horror film that turns a childhood staple into pure nightmare fuel. Between the creepy ice cream truck, the over-the-top violence, and an army of murderous kids, this might be one of the wildest horror trailers we've seen all year.

Is this Eli Roth's craziest movie yet? Does the trailer show too much? And can a concept this outrageous actually work as a full movie?

Let's talk about it.

What did you think of the trailer? Let me know in the comments!

#IceCreamMan #EliRoth #HorrorMovies #TrailerReaction #HorrorNews #MovieReview #HorrorCommunity #UpcomingHorror #HorrorTrailer #SlasherMovies

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In this episode of After the Scream, we're reviewing The Backrooms, the feature film debut from Kane Parsons. Based on the viral internet phenomenon, The Backrooms takes viewers into a surreal labyrinth of liminal spaces, distorted memories, psychological horror, and nightmare-like imagery.

While some viewers may love its unsettling atmosphere, dreamlike storytelling, and emotional themes, others may struggle with its ambiguity, slow-burn approach, and lack of concrete answers. Jess almost walked out, while Chris loved it, making this one of our most interesting horror discussions yet.

We break down:
• Kane Parsons' feature film debut
• The Backrooms as psychological horror
• Liminal spaces and nightmare logic
• The film's themes of memory, trauma, regret, and identity
• Clark, Mary, Pirate Clark, and the Still Lifes
• The sound design, production design, and cinematography
• What worked, what didn't, and who this movie is really for

Did you love The Backrooms, hate it, or fall somewhere in between? Let us know your thoughts in the comments.

#TheBackrooms #BackroomsMovie #HorrorMovies #MovieReview #AfterTheScream #KaneParsons #PsychologicalHorror #A24 #LiminalSpaces #HorrorPodcast

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Chris from After the Scream reviews Exit 8, the new psychological horror film based on the viral Japanese indie horror game. This isn’t your traditional horror movie filled with jump scares and nonstop gore.

Exit 8 is a slow, tense, atmospheric horror that forces you to pay attention to every detail.

In this review, Chris breaks down why Exit 8 feels almost interactive, how the repetitive liminal hallway creates claustrophobic anxiety, and why the film’s anomaly-based horror works so well. From the disturbing sound design to the Groundhog Day-style repetition, Exit 8 turns ordinary spaces into something deeply unsettling.

Chris also dives into the deeper themes of the film, including fear of fatherhood, anxiety, isolation, repetition, and modern elevated horror storytelling. While many horror fans may hate the film’s minimalist approach, others may find it one of the most unique psychological horror experiences in recent years.

If you enjoy slow burn horror, liminal space horror, psychological thrillers, analog horror vibes, indie horror films, or movies that make you think instead of relying on cheap jump scares, Exit 8 may be worth checking out.

#Exit8 #HorrorReview #PsychologicalHorror #AfterTheScream #LiminalHorror #MovieReview #JapaneseHorror #ElevatedHorror #IndieHorror #SlowBurnHorror

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Curry Barker’s Obsession completely caught us off guard. This is easily one of our favorite horror films of the year and one of the most intense indie horror experiences we’ve had in a long time.

From the unpredictable jump scares, disturbing atmosphere, incredible sound design, and raw emotional tension, this movie kept us uncomfortable from beginning to end. Curry Barker delivers insanely confident filmmaking for a first feature, blending modern loneliness and toxic relationships with old-school horror filmmaking.

Inde Navarrette gives an unforgettable performance as Nikki — shifting from vulnerable and sweet to terrifying and deeply unsettling in seconds. Her performance genuinely got under our skin.

In this review, we break down:
• The disturbing relationship dynamics
• Why the jump scares work so well
• The incredible sound design
• Nikki’s terrifying performance
• Curry Barker’s direction and future in horror
• Why this film feels fresh compared to modern horror

If you love psychological horror, relationship horror, uncomfortable tension, and unpredictable indie films, this is one you need to see.

#Obsession #CurryBarker #HorrorMovies #MovieReview #IndieHorror #AfterTheScream

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Is Hokum actually one of the best horror movies of the year… or just all atmosphere and no story?
Chris and Jess break down the latest horror release starring Adam Scott, diving into the film’s creepy atmosphere, slow-burn tension, confusing narrative, and why the character work left us completely disconnected. While the movie looks great and builds some solid unease, we couldn’t shake the feeling that it never fully comes together.

Was Hokum genuinely unsettling… or just frustrating?

Let us know what you thought of the film in the comments.

#Hokum #HorrorMovies #AdamScott #MovieReview #HorrorReview #PsychologicalHorror #MovieTube #FilmReview #HorrorCommunity

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In this episode, we break down Lee Cronin's The Mummy and why it feels so off from what you’d expect. Instead of a traditional mummy movie built around mythology and curses, this leans heavily into possession horror, feeling closer to films like Evil Dead Rise and The Exorcist. 

We talk about how the movie focuses more on being gross and uncomfortable than on actually being scary, and how that shift changes the entire experience. From the tone to the rules it’s playing by, we break down why it feels like a completely different movie than what the title promises—and whether that disconnect is the real reason it doesn’t land.

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In this episode of After the Scream, I review Faces of Death (2026)—a film I didn’t expect to like, but ended up finding surprisingly effective. 

Directed by Daniel Goldhaber and co-written with Isa Mazzei, the film stars Barbie Ferreira, Dacre Montgomery, and Charli XCX, and follows a content moderator who begins uncovering disturbing videos tied to the infamous 1978 original. 

This isn’t just a straight remake—it reimagines the concept in a modern world driven by constant content and online consumption. I break down what works, from the performances and tone to how the film successfully blends old-school horror with modern technology in a way that actually feels real. 

But more importantly, we get into the bigger idea behind it: have we become so desensitized to what we watch that nothing really shocks us anymore? And if that’s true… why did this one still hit?

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In this episode, we sit down with filmmakers Brian Hanson and Charles Bunch, the creators behind the Syfy horror film The Bunker. They take us inside the making of their film, from the early concept to the harsh realities of bringing an indie horror project to life.
We dive into the challenges of independent filmmaking, the creative and logistical hurdles they faced, and how they pushed through to get the film made. They also share the incredible story of how horror legends Tony Todd and Tobin Bell became involved in the project.
Beyond the film itself, Brian and Charles offer honest, practical advice for indie filmmakers, covering everything from funding and networking to staying persistent in a competitive industry.
Whether you're a horror fan or an aspiring filmmaker, this episode is packed with insight, inspiration, and behind-the-scenes stories you won’t want to miss.

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Chris and Jess review Ready or Not 2—the sequel nobody asked for… but one we actually had a blast with. 

With Samara Weaving back and absolutely killing it again, plus the original directors Matt Bettinelli-Olpin and Tyler Gillett returning alongside writers Guy Busick and R. Christopher Murphy, this sequel keeps the same chaotic energy—even if the story didn’t really need to continue. 

We break down what works, what falls short of the original, and why it still ends up being a fun, over-the-top ride.

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Thanks for hanging with us at the Horror Comedy Hangout—where the scares are real, but the laughs might kill you! See you next time... if you survive