‘Night After Night’s’ Surreal Chills Deliver [Chattanooga Review]
'Night After Night's' surreal, hypnotic horror might risk confusion, but Josh Lobo's feature remains a heady trip worth taking.
A spooky supernatural thriller by the author of the Merrily Watkins seriesLiam Defford doesn't believe in ghosts. As the head of a production company, however, he does believe in high-impact TV. On the lookout for his next idea, he hires journalist Grayle Underhill to research the history of Knap Hall—a Tudor farmhouse turned luxury hotel, abandoned by its owners at the height of its success. The staff has been paid to keep quiet about what happened there, but the stories seep through. They're not conducive to a quick sale, but Defford isn't interested in keeping Knap Hall for more than a few months. Just long enough to make a reality TV show that will run nightly. A house isolated by its rural situation and its dark reputation; six people—known to the nation but strangers to one another—locked inside; but this time Big Brother is not in control.
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'Night After Night's' surreal, hypnotic horror might risk confusion, but Josh Lobo's feature remains a heady trip worth taking.
Night After Night, Lobo’s follow up feature to IFC’s I Trapped the Devil, is shaped by his love of conspiracy thrillers, seventies sci-fi, ambient pub...
Ahead of its premiere at the Chattanooga Film Festival via Restricted Pictures, our friends at Fangoria have debuted a poster […]
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