The Horror Double Bill

Welcome to episode 57 of The Horror Double Bill, the podcast where each week we pair two movies to create something greater than the sum of their parts.

This week we are exploring voyeurism, meta commentary and the world of the snuff movie with one film that, according to its director, ruined his career, and another that launched the career of its director

First up we have Peeping Tom from 1960, directed by Michael Powell. It stars Karl Böhm, Anna Massey, Moira Shearer, and Maxine Audley.

Then we follow this with the debut feature from acclaimed director Alejandro Amenábar. This is Tesis from 1996, and it stars Ana Torrent, Eduardo Noriega, Fele Martínez, and Nieves Herranz.

Along the way, we’ll be discussing the career of Michael Powell and the critical mauling that Peeping Tom, and Powell, received from the critics, the depiction of so-called snuff movies in cinema, the early career of Alejandro Amenábar and much more

Recommendations

Videodrome (1983)

Mute Witness (1995)

Strange Days (1995)

References

Peeping Tom (1960) Studio Canal (interviews and commentaries)

Peeping Tom by Kiri Bloom Walden (Devil’s Advocates) 

A Very British Psycho: https://youtu.be/nc7jDPFgob4?si=cJ0_EOShHjMRex6T

https://www.dailyscript.com/scripts/peepingtom.html

https://www.planet-interview.de/interviews/karlheinz-boehm/33637/

https://medium.com/geouwehoer/how-michael-powells-peeping-tom-1960-predicted-our-culture-of-voyeurism-in-2020-20e06b6bafc

https://powell-pressburger.org/Reviews/60_PT/PT_Femme1.html

https://www.criterion.com/current/posts/8473-peeping-tom-he-has-his-father-s-eyes?srsltid=AfmBOop_p2jUayaE1weY62utcGITK-IX9UC7JvdVkmXsfeUgYknGhLFj

https://www.bbfc.co.uk/case-studies/peeping-tom-1960

Tesis (1996) Umbrella Entertainment Blu-ray (interviews and commentaries)

Spanish Horror Film by Antonio Lázaro-Reboll

The Spanish Fantastic by Shelagh Rowan-Legg

Supranational Horrors by Rui M. Trindade Oliveira

Nightmare Movies by Kim Newman 

https://www.madrimasd.org/blogs/imagen_cine_comunicacion_audiovisual/2012/05/31/126017

https://espacio.fundaciontelefonica.com/noticia/alejandro-amenabar-nunca-cierro-las-puertas-al-mas-alla/

https://cadenaser.com/nacional/2025/09/11/alejandro-amenabar-si-cervantes-viviera-hoy-probablemente-estaria-en-una-carroza-del-orgullo-gay-cadena-ser/

https://www.academiadecine.com/2021/05/27/amenabar-el-chico-que-los-tenia-alucinados/

https://www.aceprensa.com/resenas-cine-series/tesis

https://en.wikipedia.org/wiki/Michael_Powell

https://en.wikipedia.org/wiki/Michael_Powell_filmography

https://en.wikipedia.org/wiki/Peeping_Tom_(1960_film)

https://en.wikipedia.org/wiki/Thesis_(1996_film)

https://en.wikipedia.org/wiki/Snuff_(film)

https://en.wikipedia.org/wiki/Hardcore_(1979_film)

https://en.wikipedia.org/wiki/Bloodline_(1979_film)

https://en.wikipedia.org/wiki/Michael_Findlay_(filmmaker)

Instagram: @thehorrordoublebill

email: [email protected]

youtube: @thehorrordoublebill

artwork by Justin Parker (IG jpkr_illustration.com)

Welcome to episode 56 of The Horror Double Bill, the podcast where each week we pair two movies to create something greater than the sum of their parts.

This week we are in Europe, where we return to the psychological thriller and the Italian giallo, with two films drenched in murder and paranoia.

First up, we have Les Diaboliques from 1955, directed by Henri-Georges Clouzot. This stars Simone Signoret, Véra Clouzot, Paul Meurisse and Charles Vanel.

Then we follow this with The Strange Vice of Mrs Wardh from 1971 and director Sergio Martino. This stars Edwige Fenech, George Hilton, Ivan Rassimov and Cristina Airoldi.

Along the way, we will be discussing the early careers of directors Henri George Clouzot and Sergio Martino, the incredibly tense production of Les Diaboliques, Mondo movies, a real-world Italian murder case that inspired several giallo, actress Edwige Fenech, and much much more

Recommendations

Le Corbeau (1943)

The Wages of Fear (1953)

Sorcerer (1977)

References

Les Diaboliques by Susan Hayward - Ciné-Files French Film Guides series

https://www.cinematheque.fr/article/1112.html

Italian Giallo in Film and Television: A Critical History by Roberto Curti

Darkening the Italian Screen: Volume One by Eugenio Ercolani

So Deadly, So Perverse: Volume One by Troy Howarth

International Horror Film Directors, edited by Danny Shipka and Ralph Beliveau

All the Colours of Sergio Martino by Kat Ellinger

The Strange Vice of Mrs Wardh blu ray (Severin Films) – interviews and extras

https://www.nanarland.com/interviews/entretiens/fr/sergio-martino.html

https://www.flashbackfiles.com/ernesto-gastaldi-interview

https://dailygrindhouse.com/thewire/the-daily-grindhouse-chats-to-ernesto-gastaldi/

https://westernsallitaliana.blogspot.com/2019/08/interview-with-ernesto-gastldi.html?m=1

https://pochestorie.corriere.it/2017/09/11/treni-aerei-un-killer-e-una-vittima-il-delitto-fenaroli/

Instagram: @thehorrordoublebill

email: [email protected]

youtube: @thehorrordoublebill

artwork by Justin Parker (IG jpkr_illustration.com)

Welcome to episode 55 of The Horror Double Bill, the podcast where each week we pair two movies to create something greater than the sum of their parts.

This week we are discussing international folk horror with two films which explore the horrors of  war, capitalism, and greed while referencing the histories of the countries in which they were made. 

First up, we have Onibaba from Japan, which was released in 1964. Directed by Kaneto Shindō, it stars Nobuko Otowa, Jitsuko Yoshimura and Kei Satō.

Then we follow this with our first film from India, Tumbbad from 2018, from director Rahi Anil Barve. This stars Sohum Shah, Jyoti Malshe and Mohammad Samad.

Along the way, we’ll be discussing the career of Kaneto Shindō, Japanese Noh theatre, the history of Indias independence, and much, much more.

References

https://indianexpress.com/article/entertainment/bollywood/tumbbad-actor-sohum-shah-chameleon-label-5398840/

https://indianexpress.com/article/express-sunday-eye/tumbbad-run-hide-but-you-cant-escape-5409541/

https://indianexpress.com/article/entertainment/bollywood/ship-of-theseus-director-anand-gandhi-reveals-he-directed-tumbbad-not-rahi-anil-barve-i-scrapped-what-had-been-shot-reshot-it-10140102/

https://indianexpress.com/article/entertainment/bollywood/tumbbad-sohum-shah-making-video-5386609/

https://indianexpress.com/article/entertainment/bollywood/tumbbad-sanyukta-kaza-editor-vfx-sohum-shah-film-5531626/

https://www.dandc.eu/en/article/britains-east-india-company-ran-highly-profitable-brutally-exploitative-narco-state

https://existingcustomers.oxfordhomeschooling.co.uk/blog/gandhi-and-the-salt-march/

https://www.sohumshahfilms.com/about-us

https://goseetalk.com/interview-director-adesh-prasad-and-composer-jesper-kyd-on-tumbbad/

https://www.austinchronicle.com/screens/fantastic-fest-interview-tumbbad-brings-horror-to-india-12099399/

https://en.wikipedia.org/wiki/Tumbbad

https://www.filmcompanion.in/features/hollywood-features/subversive-artistic-and-rooted-the-new-hindi-horror-film

https://scroll.in/reel/898196/everybody-loves-the-camerawork-in-tumbbad-pankaj-kumar-tells-us-how-the-film-was-shot

https://scroll.in/reel/897390/sohum-shah-on-folk-horror-film-tumbbad-it-could-not-have-been-made-in-any-other-way

https://medium.com/@dhriti2894/tumbbad-isnt-a-horror-film-it-s-a-mirror-of-human-greed-5c2a851d3e07

https://independent-magazine.org/2026/01/08/too-daring-for-a-domestic-audience-examining-the-1964-japanese-horror-film-onibaba/

https://www.theguardian.com/film/2012/may/30/kaneto-shindo

https://www.criterion.com/current/posts/317-onibaba-black-sun-rising?srsltid=AfmBOoohphNd6PfGFvlU66KmmChhDb4uNujxw_Em24AlAn2hTKv2FF0s

https://www.japantimes.co.jp/culture/2012/06/01/films/film-reviews/remembering-kaneto-shindo/

https://www.theguardian.com/film/filmblog/2010/oct/15/onibaba-kaneto-shindo-devil-woman

https://signalhorizon.com/kaneto-shindos-onibaba-and-the-horrible-dangers-of-policing-female-desire/

https://www.jcablog.com/post/onibaba-film-review

https://bfidatadigipres.github.io/japan%202021%3Cbr%3E100%20years%20of%20japanese%20cinema/2021/11/19/onibaba/

https://www.criterion.com/current/posts/2026--my-mind-was-always-on-the-commoners-shindo-on-kuroneko-in-his-body-of-work?srsltid=AfmBOorXhnK7Zxh_vJxaMYKz6KefpX_5fk1BdEef4svX7V8T3uX25paD

https://en.wikipedia.org/wiki/Onibaba_(film)

Instagram: @thehorrordoublebill

email: [email protected]

youtube: @thehorrordoublebill

artwork by Justin Parker (IG jpkr_illustration.com)

Welcome to episode 54 of The Horror Double Bill the podcast where each week we pair two movies to create something greater than the sum of their parts

This week we are plunging into the world of ecological horror, with two films that suggest that unless we learn to learn more harmoniously with the planet, we will suffer the consequences – one way or another

First, we have The Day the Earth Caught Fire from 1961. This was written and directed by Val Guest and stars Edward Judd, Janet Monroe, Leo McKern, Michael Goodliffe, and Bernard Braden.

Then we follow this with our first Australian movie on the podcast, which is Long Weekend from 1978. This was written by Everett De Roche, directed by Colin Eggleston and stars Peter Hargreaves and Briony Behets

Along the way, we’ll be discussing the career of writer director Val Guest, British nuclear test in the 1950s, why Australia banned horror for 20 years, the birth of the Australian horror movement, the career of screenwriter Everett De Roche and much much more.

Recommendations

The Quatermass Xperminent (1955)

Quatermass 2 (1957)

The Twilight Zone – episode The Midnight Sun (1961)

Hammer House of Mystery and Suspense – In Possession (1984)

The Last Wave (1977)

References

British Science Fiction Cinema, edited by I. Q. Hunter

The Day the Earth Caught Fire BFI blu ray – interviews, commentaries and special features

https://historyproject.org.uk/interview/val-guest

https://www.ajb007.co.uk/discussion/56473/interviews-with-cast-and-crew-non-bond-films

https://nzpetesmatteshot.blogspot.com/

https://www.bfi.org.uk/features/panic-streets-london-filming-day-earth-caught-fire

https://www.theguardian.com/news/2006/may/16/guardianobituaries.obituaries

Australian Horror Films 1973 to 2010 by Peter Shelley

Australian Gothic: A Cinema of Horrors by Jonathan Rayner

https://www.naa.gov.au/blog/exit-ghouls

https://www.sensesofcinema.com/2008/dossier-on-australian-exploitation/everett-de-roche/

https://www.cine-excess.co.uk/down-under-rises-up-naturersquos-revenge-in-ozploitation-cinema.html

https://cinemaaustralia.com.au/2015/10/11/5-things-you-never-knew-about-long-weekend/

https://lwlies.com/home-ents/long-weekend-ozploitation-classic

https://adb.anu.edu.au/biography/hargreaves-john-william-31765

https://newtheatrehistory.org.au/wiki/index.php/Person_-_John_Hargreaves

https://www.imdb.com/name/nm0362970/bio/

https://en.wikipedia.org/wiki/Long_Weekend_%281978_film%29

https://en.wikipedia.org/wiki/The_Day_the_Earth_Caught_Fire

https://www.imdb.com/name/nm0066909/

Instagram: @thehorrordoublebill

email: [email protected]

youtube: @thehorrordoublebill

artwork by Justin Parker (IG jpkr_illustration.com)

Welcome to episode 53 of The Horror Double Bill the podcast where nearly every week we pair two movies to create something greater than the sum of their parts.

This week we are off to Hollywood, with two films that explore the horrors of the silver screen, from obsessive fandom and fantasy to the darkest depths of ambition. 

First up we have Fade to Black from 1980. This was written and directed by Vernon Zimmerman, and stars Dennis Christopher, Tim Thomerson, Linda Kerridge, and Eve Brent

Then we jump forward to 2014 and Starry Eyes, written and directed by Kevin Kölsch and Dennis Widmyer. This stars Alexandra Essoe, Amanda Fuller, Noah Segan and Fabianne Therese.

Along the way, we’ll be discussing the career of producer Irwin Yablans, depictions of Hollywood in the horror film, directors Kevin Kolsche and Dennis Widmyer and much much more

Recommendations

Sunset Boulevard (1950)

Whatever Happened to Baby Jane (1962)

Torture Garden (1967)

Barton Fink (1991)

Mulholland Drive (2001)

References:

The Man Who Created Halloween by Irwin Yablans

Going to Pieces: The Rise & Fall of the Slasher Film by Adam Rockoff

Fade to Black: special features and interviews from the blu ray from 88 Films.

https://anthemmagazine.com/alex-essoe-pays-the-price-of-fame/

https://thehollywoodnews.com/2015/03/11/thn-interview-starry-eyes-directors-dennis-widmyer-kevin-kolsch/

https://brokehorrorfan.com/post/102534766538/interview-kevin-kolsch-dennis-widmyer-starry

https://btchflcks.com/2015/01/old-hollywood-legend-in-a-new-skin-an-interview-with-the-filmmakers-of-starry-eyes.html

https://thewolfmancometh.com/2014/03/25/writerdirectors-kevin-kolsch-and-dennis-widmyer-producer-travis-stevens-and-star-alex-essoe-talk-starry-eyes-interview-sxsw-14/

https://www.flickfeast.co.uk/spotlight/starry-eyes-interview-kevin-kolsch-dennis-widmyer/

https://www.dreadcentral.com/news/547793/28-things-we-learned-from-the-fade-to-black-commentary/

https://www.latimes.com/archives/la-xpm-1996-05-26-ca-8461-story.html

https://itcamefromblog.com/2022/11/15/paint-it-black-when-dennis-christopher-detoured-into-slasher-territory/

https://www.hysteria-lives.co.uk/hysterialives/Hysteria/fade_to_black.htm

https://www.starburstmagazine.com/features/kevin-koelsch-and-dennis-widmyer-starry-eyes/

https://wickedhorror.com/features/interviews/exclusive-alex-essoe-talks-starry-eyes/

https://youtu.be/bE-m4rVJC4o?si=TguU9KKs_TUe8neu

https://youtu.be/Ya6-7k48FAU?si=l0GJOqE7gJIOdZWA

Instagram: @thehorrordoublebill

email: [email protected]

youtube: @thehorrordoublebill

artwork by Justin Parker (IG jpkr_illustration.com)

Welcome to episode 52 of The Horror Double Bill, the podcast where each week we pair two movies to create something greater than the sum of their parts.

This week we are going to New York in search of missing sisters and finding ourselves in a whole heap of trouble with the powers of darkness.

First, we have The Seventh Victim from 1943 and producer Val Lewton. This was directed by Mark Robson and stars Kim Hunter, Jean Brooks, Tom Conway and Isabel Jewell

Then we are following this with Inferno from Dario Argento and 1980. This was his follow-up to 1977’s Suspiria, and was the movie in which he fully introduced the idea of the Three Mothers, three supernatural figures inspired by the writing of Thomas de Quincey. This stars Leigh McCloskey, Irene Miracle, Eleonora Giorgi, Daria Nicolodi and Gabriele Lavia.

Along the way, we’ll be discussing the actresses Kim Hunter and Daria Nicolodi, and falling down some very esoteric rabbit holes, including satanic conspiracies involving the freemasons, the works and disappearance of the alchemist Fulcanelli, and the arcane world of actor, artist and self-described visual philosopher Leigh J McClosky.

References

Val Lewton: The Reality of Terror by Joel E. Siegel

Dreams of Darkness by J. P. Telotte

Icons of Grief: Val Lewton’s Home Front Pictures by Alexander Nemerov. 

The Seventh Victim blu-ray from Criterion

https://www.bfi.org.uk/features/where-begin-val-lewton

https://brightlightsfilm.com/darkness-darkness-films-val-lewton-looking-back-b-movie-master/

Fear by Dario Argento

Dario Argento, The Man, The Myths, And the Magic by Alan Jones, 

Broken Mirrors Broken Minds the Dark Dreams of Dario Argento by Maitland McDonough

Art Of Darkness the Cinema of Dario Argento edited by Chris Gallant

Spaghetti Nightmares edited by Luca M Palmerini and Gaeto Mistretta

Instagram: @thehorrordoublebill

email: [email protected]

youtube: @thehorrordoublebill

artwork by Justin Parker (IG jpkr_illustration.com)

Welcome to episode 51 of The Horror Double Bill, the podcast where each week we pair two movies to create something greater than the sum of their parts.

This week we are exploring the amorphous world of the science fiction horror hybrid, with two movies that pit man against gelatinous monstrosities from inner and outer space.

First up, we have X the Unknown from 1956, an early entry into the horror market from British studio Hammer, This was directed by Leslie Norman and stars Dean Jagger, Leo McKern and Edward Chapman.

Then we jump forward to 1988 for the enjoyably goofy The Blob, from director Chuck Russell and co-writer Frank Darabont, and stars Kevin Dillon, Shawnee Smith, Donovan Leitch, Jeffrey DeMunn and Candy Clark.

Along the way, we will be discussing the careers of writer-directors Jimmy Sangster and Chuck Russell, unlikely parallels with Spielberg’s Jaws, shapeless monstrosities in the horror movie, the inspiration for and the production story of the 1958 version of the Blob, and much, much more.

References

The House that Hammer  Built Volume 2, 1950 – 1954 & Volume 3: 1955–1958 by Wayne Kinsey

Hammer and Beyond: The British Horror Film by Peter Hutchings,

Hammer Films: An Exhaustive Filmography by Tom Johnson and Deborah Del Vecchio

Father of the Blob: The Making of a Monster Smash and Other Hollywood Tales by Jack H Harris

https://strasbourgfestival.com/en/interview-jimmy-sangster/

https://www.hammer-graveyard.org.uk/jimmy-sangster/

https://en.wikipedia.org/wiki/Jimmy_Sangster

https://www.theguardian.com/film/2011/aug/21/jimmy-sangster-obituary

The Blob (1988) - Scream factory blu ray interviews, commentaries and extras 

https://ia801403.us.archive.org/4/items/Fear_04_1989-01-02_no_ads/Fear_04_1989-01-02_no_ads.pdf

https://www.imdb.com/name/nm0762727/

https://www.imdb.com/name/nm0751080/

https://en.wikipedia.org/wiki/The_Blob_(1988_film)

https://en.wikipedia.org/wiki/The_Blob

https://en.wikipedia.org/wiki/X_the_Unknown

Instagram: @thehorrordoublebill

email: [email protected]

youtube: @thehorrordoublebill

artwork by Justin Parker (IG jpkr_illustration.com)

Welcome to episode 50 of The Horror Double Bill, the podcast where each week we pair two movies to create something greater than the sum of their parts.

Cannibal Man/The Week of the Killer/The Apartment on the 13th Floor (1972) dir. Eloy de la Iglesia, w. Vicente Parra, Emma Cohen, Eusebio Poncela, Vicky Lagos and Charly Bravo.

Ecologia del delitto/A Bay of Blood/Twitch of the Death Nerve/Carnage/Blood Bath (1971) dir. Mario Bava w. Luigi Pistilli, Claudine Auger, Claudio Camaso, Laura Betti and Anna Maria Rosati.

Recommendations

The Glass Ceiling (1971) 

No-one Heard the Scream (1973)

Kill Baby Kill (1966)

Danger Diabolik! (1968)

Hatchet for the Honeymoon (1970)

References

Spanish Horror Film by Antonio Lázaro-Reboll

Cannibal Man blu-ray edition (Severin Films)

Subversive Effects of Perversion: Sexuality and Social Construction in The Cannibal Man by Carlos Gómez

https://www.terrorweekend.com/2021/11/la-semana-del-asesino-review.html?m=1h

ttps://www.vanitatis.elconfidencial.com/famosos/2021-03-06/vicente-parra-galan-homosexual-amigo-sara-montiel_2977668

https://www.elconfidencial.com/cultura/2006-03-24/muere-el-realizador-de-cine-eloy-de-la-iglesia_741304

https://www.cageyfilms.com/2021/10/the-films-of-eloy-de-la-iglesia/

https://elpais.com/cultura/2006/03/23/actualidad/1143068408_850215.html

So Deadly, So Perverse Volume One by Troy Howarth,

The Haunted World of Mario Bava by Troy Howarth

Italian Horror Cinema, edited by Stefano Baschiera and Russ Hunter

A Bay of Blood blu-ray special edition (Severin Films)

https://www.davinotti.com/articoli/intervista-allo-sceneggiatore-dardano-sacchetti/55

https://www.sdangher.com/2022/04/06/speciale-reazione-a-catena-mario-bava-e-lecologia-della-critica-italiana/

https://cinepugno.home.blog/2020/10/10/interview-with-mario-bava-1970-1971/

Instagram: @thehorrordoublebill

email: [email protected]

youtube: @thehorrordoublebill

artwork by Justin Parker (IG jpkr_illustration.com)

Welcome to episode 49 of The Horror Double Bill, the podcast where each week we pair two movies to create something greater than the sum of their parts.

In this weeks episode we discuss two films from British director Bernard Rose,  one based on the children's book Marianne Dreams by Catherine Storr, and the other based on a work from the opposite end of the literary spectrum The Forbidden by Clive Barker.

First up is Paperhouse (1988) Dir. Bernard Rose w. Charlotte Burke, Glenne Headly, Elliott Spiers, and Gemma Jones

and then we follow this with

Candyman (1992) Dir. Bernard Rose w. Tony Todd, Virginia Madsen, Kasi Lemmons, Xander Berkeley, and Vanessa Williams.

Along the way we discuss the links between children's fiction and horror, childhood trauma, the career of director Bernard Rose, surreal imagery in the horror film, the early works of writer Clive Barker, the history of Cabrini Green, themes of class, repression and oppression, the career of the late, great Tony Todd and much more.

Recommendations

Shockheaded Peter by Heinrich Hoffmann

Marianne Dreams by Catherine Storr

The Gashlycrumb Tinies by Edward Gorey

Scary Stories to Tell in the Dark by Alvin Schwartz

The Books of Blood by Clive Barker

The Great & Secret Show by Clive Barker

Coldheart Canyon by Clive Barker

Night of the Living Dead (1990)

IvansXTC (2000)

References

https://filmfreakcentral.net/2022/08/bernard-rose-interview/

https://www.bfi.org.uk/sight-and-sound/interviews/mystic-nic-praise-nicolas-roeg

https://www.theotherfolk.blog/dissections/paperhouse

https://www.scifinow.co.uk/interviews/its-that-weird-thing-that-happens-when-things-arent-concrete-bernard-rose-remembers-paperhouse/

https://www.mikesouthon.biz/portfolio/paperhouse-highlights

Candyman by John Towson (Devil’s Advocates)

Candyman Special Edition 4k (Arrow Video)

https://www.clivebarkerarchive.com/blog/tag/The+Forbidden

https://www.clivebarker.info/salomeforbidden.html

https://www.theguardian.com/film/2019/jun/25/how-we-made-candyman-virginia-madsen-tony-todd-bee-sting

https://www.theguardian.com/film/2024/nov/09/tony-todd-star-of-candyman-dies-aged-69

https://www.theguardian.com/film/2020/oct/01/tony-todd-candyman-sequel-black-lives-matter-platoon

https://horrornewsnetwork.net/twenty-year-retrospective-of-candyman-with-virginia-madsen/

https://people.com/virginia-madsen-reveals-plan-candyman-prequel-mourns-tony-todd-8744052

https://www.movingpictureshow.com/?p=9402

https://en.wikipedia.org/wiki/Bernard_Rose_(director)

https://en.wikipedia.org/wiki/Candyman_(1992_film)

https://en.wikipedia.org/wiki/Paperhouse_(film)

https://en.wikipedia.org/wiki/Clive_Barker

https://en.wikipedia.org/wiki/Books_of_Blood

https://en.wikipedia.org/wiki/Tony_Todd

https://flexiblehead.blog/2016/02/10/tony-todd/

Instagram: @thehorrordoublebill

email: [email protected]

youtube: @thehorrordoublebill

artwork by Justin Parker (IG jpkr_illustration.com)

Welcome to episode 48 of The Horror Double Bill, the podcast where each week we pair two movies to create something greater than the sum of their parts.

This week after a short break and several episodes of ambiguity, we are exploring the much more direct and explicitly supernatural world of the vampire, with one movie that started the Universal monster series in the 1930s and another which reinvigorated vampire mythology at the start of the 1970s.

First, we have Dracula from 1931, directed by Tod Browning. This stars Bela Lugosi, Edward Van Sloan, Dwight Frye, David Manners, and Helen Chandler.

Then we jump forward to 1970’s Count Yorga, Vampire, directed by Bob Kelljan and starring Robert Quarry, Roger Perry, Michael Murphy, Judy Lang, and Donna Anders.

Along the way, we will be discussing the life and careers of the legendary Bela Lugosi,  co-star Dwight Frye and Robert Quarry, how Dracula was brought to the screen, the horrors of typecasting, how a 1970s exploitation movie redfined vampires for the 1970s and much much more

Recommendations

Murders in the Rue Morgue (1932)

Island of Lost Souls (1932)

The Black Cat (1934)

The Raven (1935)

Son of Frankenstein (1939)

Dark Eyes of London (1939)

The Body Snatcher (1945)

References

Universal Horrors: The Studio’s Classic Films, 1931 to 1946 by Tom Weaver, Michael Brunas, and John Brunas

Tod Browning’s Dracula by Gary D. Rhodes

American Gothic by Jonathan Rigby

The Blood Is the Life by various authors, published by We Belong Dead. 

https://militaryhistorynow.com/2019/10/29/dracula-goes-to-war-bela-lugosi-ww1-and-the-making-of-a-macabre-hollywood-legend/

https://en.wikipedia.org/wiki/Bela_Lugosi

https://en.wikipedia.org/wiki/Dracula_(1924_play)

https://en.wikipedia.org/wiki/Dracula_(1931_English-language_film)

https://drphibesvibes.wordpress.com/2015/04/15/robery-quarry-interview-from-2004

www.filmink.com.au/unsung-auteurs-bob-kelljan

https://www.zomboscloset.com/count-yorga-vampire-1970pressbook/?doing_wp_cron=1777637670.0476369857788085937500

https://thelastdrivein.com/category/directors-and-filmmakers/bob-kelljan-director-actor/

https://www.tcm.com/articles/181323/in-the-know-count-yorga-vampire-trivia

https://thelastdrivein.com/category/top-classic-horror-films/page/19/

https://www.latimes.com/archives/la-xpm-2009-mar-02-me-passings2.s1-story.html

https://i0.wp.com/www.zomboscloset.com/wp-content/uploads/2024/10/Count-Yorga-Pressbook-008.webp

https://en.wikipedia.org/wiki/Count_Yorga,_Vampire

https://en.wikipedia.org/wiki/The_Return_of_Count_Yorga

https://en.wikipedia.org/wiki/Robert_Quarry

Instagram: @thehorrordoublebill

email: [email protected]

youtube: @thehorrordoublebill

artwork by Justin Parker (IG jpkr_illustration.com)