Ordering coffee can cost your life
In downtown Madrid, a series of mysterious gunshots trap a motley assortment of people in a decrepit bar.
Cast
Blanca Suárez
Elena
Mario Casas
Nacho
Carmen Machi
Trini
Secun de la Rosa
Sátur
Jaime Ordóñez
Israel
Terele Pávez
Amparo
Alejandro Awada
Sergio
Tony Lam
Chang
Sue Flack
Jennifer
Daniele Fileti
Frank
Miguel Fajardo
Blonde Guy
Daniel Arribas
Coughing Man
Mamen García
Gypsy Woman
Paco Sarro
Man #1
Mariano Andrés Soto
Man #2
Diego Braguinsky
Office Man
Jordi Aguilar
Street Sweeper
Mari Giner
Woman in a Coat
Helena Resano
Newswoman (uncredited)
Joaquín Climent
Andrés
Videos
News
No news articles linked to this title yet.
- Release Date 02/15/2017
- Language Spanish
- Director Álex de la Iglesia
- Writers Jorge Guerricaechevarría, Álex de la Iglesia
- Editor Domingo González
- Cinematographer Ángel Amorós
- Producers Mikel Lejarza, Mercedes Gamero, Álex de la Iglesia
- Companies Nadie es Perfecto, Atresmedia, Pokeepsie Films, El Bar Producciones, Crea SGR, Institut Valencià de Cinematografia (IVAC), Movistar+, Pampa Films, Programa Ibermedia
- Budget $6,045,750
| Country | Date | Format | Certification |
|---|---|---|---|
| Germany | Feb 1, 2017 | Premiere | 16 |
| Brazil | Feb 15, 2017 | Theatrical | 16 |
| Spain | Mar 24, 2017 | Theatrical | 16 |
| Japan | Mar 25, 2017 | Digital | G |
| SE | Apr 28, 2017 | Theatrical | 15 |
| South Korea | Jun 15, 2017 | Theatrical | 15 |
| GR | Jul 13, 2017 | Theatrical | K-15 |
| Russia | Jul 13, 2017 | Theatrical («Экспонента») | 18+ |
| Spain | Jul 26, 2017 | Physical | 16 |
| Russia | Aug 12, 2017 | Digital («Экспонента») | 18+ |
| France | Aug 31, 2017 | Digital | — |
| France | Sep 5, 2017 | Physical | — |
The Bar Ratings
Overall
Overall rating of the media
Scares
How effective are the jump scares
Atmosphere
How immersive and tense is the atmosphere
Gore
Level and quality of gore/violence
Story
Quality of the storyline and plot
Special Effects
Quality of special/visual effects
Sound Design
Audio quality and sound effects
Pacing
Flow and timing of the narrative