The Sound of Building Coffins

"It is 1891 in New Orleans, and young Typhus Morningstar cycles under the light of the half-moon to fulfill his calling, rebirthing aborted fetuses in the fecund waters of the Mississippi River. He cannot know that nearby, events are unfolding that will change his life forever -- events that were set in motion by a Vodou curse gone wrong, forty years before he was born. In the humble home of Sicilian immigrants, a one-year-old boy has been possessed by a demon. His father dead, lynched by a mob, his distraught mother at her wits' end, this baby who yesterday could only crawl and gurgle is now walking, dancing, and talking -- in a voice impossibly deep. The doctor has fled, and several men of the cloth have come and gone, including Typhus' father, warned off directly by the clear voice of his Savior. A newspaper man, shamed by the part he played in inciting the lynch mob that cost this boy his father, appalled by what he sees, goes in search of help. Seven will be persuaded, will try to help...and all seven will be profoundly affected by what takes place in that one-room house that dark night. Not all will leave alive, and all will be irrevocably changed by this demonic struggle, and by the sound of the first notes blown of a new musical form: jazz" -- from publisher's web site.

From Publishers Weekly

This ambitious, vivid novel by writer, New Orleans resident and jazz record shop owner Maistros starts out in the Big Easy of 1891. Noonday Morningstar, an African-American Baptist preacher, is summoned to pray over a dying one-year-old boy whose supposed illness is actually demonic possession. Aided by Dr. Jack, an abortionist and witch doctor; Beauregard Church, a veteran prison guard; and Buddy Bolden, a cornet player specializing in the new jazz sound, Noonday performs a voodoo exorcism. Fifteen years later, Noonday is dead, and his youngest son, the diminutive and gifted Typhus, has developed an odd love for Lily, a girl he knows only through a photograph. Following Typhus and those connected to the exorcism through New Orleans vibrant underbelly, Maistros develops a rich, dangerous world of musicians, mob justice and magic. Stylistic flourishes, lush descriptions (especially of the voodoo practices), and dialect-heavy narration sometimes jar the storys flow, but the plots insistent pace builds to a satisfying though familiar storm-buffeted climax. (Feb.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author

Louis Maistros is a longtime resident of the New Orleans 8th Ward neighborhood. Along with his wife Elly, he owns and operates Louie's Juke Joint, a combination jazz record shop and Vodou botanica. Maistros is a former forklift operator and a self-taught writer. His work has appeared in the New Orleans Times-Picayune and the Baltimore City Paper. He is mildly self-conscious about the fact that he shares a birthday with Lee Harvey Oswald, and is currently working out a conspiracy theory about that.

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