A serial killer is removing victims' hands in a Venice shackled by winter.A woman at the end of her tether finds a terrible release on holiday in the fens of East Anglia.A man is haunted by graffiti, and finds that his road to discovering the perpetrator leads to death. and worse.A husband trying to comfort his terminally ill wife seeks help in a forbidden zone from his childhood, where blood is the price of perfection.In this spellbinding collection of his best stories from the last ten years, award-winning writer Conrad Williams offers the kind of horrors that move subtly into you, like pain, or love, or regret. They are stories that explore the scarred outposts of desperation and desire, sickness and death, sex and decay.Within these pages you will also find the acclaimed novella Nearly People (nominated for awards by the International Horror Guild and the British Fantasy Society), in which a woman's search for food in a nightmarish city brings her attention from an enigmatic man known as The Dancer, and a host of terrible epiphanies.--Publishers Weekly (starred review)Includes three stories never before seen: Nest of Salt, The Night Before and The Owl.ContentsThe MachineSupple BodiesThe Light that Passes Through YouNest of SaltCity in AspicOther SkinsThe WindmillWireThe BurnThe OwlThe Night BeforeEdgeMacCreadle's BikeKnownThe Suicide PitExcuse the Unusual ApproachNearly PeopleSkyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.
From Publishers Weekly
In these 17 mostly urban horror stories from British author Williams (London Revenant), memory is often unreliable and reality is just as untrustworthy. A typical tale edges into the surreal and sometimes the supernatural, then turns to madness and violence. These disturbing fictions pose a great many questions that are, on second thought, perhaps better left unanswered. If violence itself is seldom shown, its immediate aftermath is. Even the tales that seem abruptly truncated or intentionally obscure still leave vivid impressions. In "Nest of Salt," a man obsessively seeks Circus Street, a hidden "blackspot" of London that's a "nexus of filth." In "The Owl," a young British couple expecting their first child settles into a fixer-upper in a small French village. Minor stress is amplified and adroitly twisted into wrenching disaster. The near-future novella "Nearly People," which was nominated for awards by both the British Fantasy Society and the International Horror Guild, depicts a grim quarantined sector whose inhabitants suffer from disease and starvation. A woman there receives a glimpse of hope-or does she? We're rarely sure of anything in these depraved and elegantly ambivalent stories, except that Williams writes with a poetic brutality that definitely makes him a dark voice to note. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Grunge fantasy and dark fantasy could get little grungier or darker than Williams' grim, dense stories of dysfunction unto death. A hopeless photographer of subway accident victims in a London-like city sees more and more ghosts, until he realizes he is one ("The Suicide Pit"). A man searches the same city for a graffitist fixated on one word; all the while, fewer people apparently notice him ("Known"). The protagonists of several stories are finally flensed, filleted, or flattened; the most discomfiting thing about these endings is that they seem unpredictable and inevitable. The novella "Nearly People" returns to pseudo-London in a future when whole sectors are permanently quarantined; the heroine searches for food and to escape, but no one who doesn't peek will anticipate what her out will be. Williams is a word-drunk describer whose prose can become so clotted with colorful, sensual vocabulary that it must be reread to grasp narrative elements, and many readers will feel daunted. But Williams is also a genuine, deeply macabre spellbinder whose admirers will flat out adore him. Ray OlsonCopyright © American Library Association. All rights reserved
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- Release Date 09/01/2005
- Author Conrad Williams
- Language English
- Company Night Shade; 1st Trade Ed. edition
- Weight 1.2 pounds
- Dimensions 6.25 x 0.75 x 9.25 inches
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