Human Sacrifices

A groundbreaking voice in contemporary Latin American literature, María Fernanda Ampuero’s writing is “raw and savage” as she confronts machismo, inequity, and violence in this acclaimed short story collection (Vistazo).An undocumented woman answers a job posting only to find herself held hostage, a group of outcasts obsess over boys drowned while surfing, and an unhappy couple finds themselves trapped in a terrifying maze. With scalpel-like precision, Ampuero considers the price paid by those on the margins so that the elite might lounge comfortably, considering themselves safe in their homes.Simultaneously terrifying and exquisite, Human Sacrifices is “tropical gothic” at its finest―decay and oppression underlie our humid and hostile world, where working-class women and children are consistently the weakest links in a capitalist economy. Against this backdrop of corrosion and rot, these twelve stories contemplate the nature of exploitation and abuse, illuminating the realities of those society consumes for its own pitiless ends.

New York Times

"Fast, fierce and relentlessly brutal, these 12 stories are the literary equivalent of a feminist death metal album."

Southern Review of Books

“Set against backdrops of immigrant struggles and crumbling tropical infrastructures, Ampuero’s exquisite writing explores the nuances of the Latina experience in her home country and abroad.”

human ones

“The stories in Human Sacrifices show that one’s security in a capitalist, patriarchal society is never guaranteed; there must be sacrifices

Publishers Weekly”Terrifying stories that dazzle with formal experimentation.”

“Visceral... there’s a great deal of humanity in these difficult stories.”

Locus Mag

“Uniformly excellent… it’s a feat to have twelve equally strong stories in one collection.”

Book Riot

“Wildly imaginative and seriously dark.”

Ms. Magazine

“This is a haunting book.”

Autostraddle

“A Latine and feminist gothic must-read.”

The Daily Mail

“Ampuero is a stylish writer, but her stories are dangerous whirlpools, dragging the reader into their deadly undertow."

Big Issue

“Much like the harsh systematic forces that plague her work, Ampuero doesn’t relinquish her ever-tightening grasp till the book’s end.”

Mónica Ojeda, author of Jawbone"Raw and savage, delving into the violence of machismo, inequality and abuse."

“María Fernanda Ampuero’s writing is pure horror and aesthetic joy. Human Sacrifices is a magnificent book that still haunts me to this day.”

Vanguardia (Mexico)

“The reader is immersed into a violent and cruel world, described in splendid prose. . . . Ampuero writes from fury."

Latin American Literature Today

“Visceral.”

New York Times en Español

“Ampuero leads the international wave of Ecuadorian writers.”

not a word feels out of place.”

“Ampuero writes with steely nerves and an ear for the beauty of simple, concrete language

Publishers Weekly

“Grotesque, unflinching. . . .This will appeal to fans of unrepentant feminist fiction.”

Latino Book Review

“Deftly written with spare, exacting prose, Cockfight. . . .presents searing portraits of family life.”

Center for the Art of Translation"Through sparing prose and exacting detail, with no time for decoration or pomp, Ampuero delivers timeless feminist fiction that packs a punch and sticks with you like tar."

“Wielded like a righteous cudgel against exploitative power, this Ecuadorian debut makes no bones about its intentions from the get-go. . . . Ampuero fights dirty and, frankly, that’s just the sort of writer we need.”

Independent Book Review

“Heralding a brutal and singular new voice, Cockfight explores the power of the home to both create and destroy those within it.”

Yuri Herrera, author of Signs Preceding the End of the World

“Ampuero’s literary voice is tough and beautiful at once: her stories are exquisite and dangerous objects.”

Mslexia

“This is true literary horror that doesn’t tip into slasher territory, with confrontational, vivid characters.”

Mariana Enríquez, author of Things We Lost in the Fire

“Brutal! Very intense.”

Ernesto Quiñonez, author of Bodega Dreams

“María Fernanda Ampuero’s voice is urgent, intimate, lyrical while never forgetting to cast humor during the darkest of violent moments. This is a writer of great power that the entire Americas will have to deal with for decades to come.”

About the Author

María Fernanda Ampuero is a writer and a journalist, born in Guayaquil, Ecuador, in 1976. She has been published in newspapers and magazines around the world, and is the author of the journalistic narrative nonfiction titles Lo que aprendí en la peluquería and Permiso de residencia. She is also author of the short story collection Cockfight, which has been translated into several languages, and recipient of the Cosecha Eñe Award for Short Stories. In 2012 she was selected as one of the 100 Most Influential Latin Americans in Spain, and in 2018, she won the first Mad Women Fest Short Story Prize.Frances Riddle has translated numerous Spanish-language authors including Isabel Allende, Claudia Piñeiro, Leila Guerriero, and Sara Gallardo. Her translation of Elena Knows by Claudia Piñeiro was shortlisted for the International Booker Prize in 2022 and her translation of Theatre of War by Andrea Jeftanovic was awarded an English PEN grant in 2021. Her work has appeared in journals such as Granta, Electric Literature, and the White Review, among others. She holds a BA in Spanish Language from Louisiana State University and an MA in Translation Studies from the University of Buenos Aires. Originally from Houston, she now lives in Buenos Aires.

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