Bad Luck and Trouble

From a helicopter high above the California desert, a man is sent free-falling into the night . . . and Jack Reacher is plunged into the heart of a conspiracy that is killing old friends.   Reacher has no phone, no address, no ties. But a woman from his former military unit has found him using a signal only the eight members of their elite team would know. Then she tells him about the brutal death of one of their own. Soon they learn of the sudden disappearance of two other comrades. But Reacher won’t give up—because in a world of bad luck and trouble, when someone targets Jack Reacher and his team, they’d better be ready for what comes right back at them.

Amazon.com Review

Ex-military cop Jack Reacher is the perfect antihero--tough as nails, but with a brain and a conscience to match. He's able to see what most miss and is willing to do whatever it takes to get the job done. Each book in Lee Child's smart, addictive series (The New York Times has referred to it as "pure escapist gold") follows the wandering warrior on a new adventure, making it easy to start with any book, including his latest gem, Bad Luck and Trouble. However, be forewarned...once you meet Jack Reacher, you'll be hooked, so be prepared to stock up on the series. --Daphne Durham Who Is Jack Reacher? A Video from Lee Child Watch the videoA Note from Lee Child Two years ago I was on a book tour, promoting that year's new Jack Reacher novel, One Shot. One particular night, the event was held in a small town outside of Chicago. The date was June 21st. As I was giving my talk and answering questions and signing books, that date was nagging away at the back of my mind. I knew it had some significance. I started panicking--had I forgotten my anniversary? No, that's in August. My wife's birthday? No, that's in January. My own birthday? No, that's in October. Then suddenly I remembered--it was ten years to the day since I had been fired from my previous job. That was why and how I had become a writer. That night in Illinois was a ten-year anniversary of a different sort, somewhat bittersweet. And ten is a nice round number. So I started thinking about my old colleagues. My workmates, my buddies. We had been through a lot together. I started to wonder where they all were now. What were they doing? Were they doing well, or struggling? Were they happy? What did they look like now? Pretty soon I was into full-on nostalgia mode. Ten-year anniversaries can do that to a person. I think we all share those kind of feelings, about high school, or college, or old jobs we've quit, or old towns we've moved away from. So I decided to make this year's Jack Reacher book about a reunion. I decided to throw him back among a bunch of old colleagues that he hadn't seen for ten years, people that he loved fiercely and respected deeply. Regular Reacher readers will know that he's a pretty self-confident guy, but I wanted him to wobble just a little this time, to compare his choices with theirs, to measure himself against them. The renewed get-together isn't Reacher's own choice, though. And it's not a standard-issue reunion, either. Something very bad has happened, and one of his old team-members from the army contacts him, by an ingenious method (it's hard to track Reacher down). She gives him the bad news, and asks him to do something about it. He says, "Of course I'll do something about it." "No," his friend says. "I mean, I want you to put the old unit back together." It's an irresistible invitation. Wouldn't we all like to do that, sometimes? --Lee Child Secrets of the Series: A Q&A with Lee Child Q: Why do you think readers keep coming back to your novels? A: Two words: Jack Reacher. Reacher is a drifter and a loner with a strong sense of justice. He shows up, he acts, he moves on. He's the type of hero who has a long literary history. Robin Hood, the Lone Ranger, Aragorn from The Lord of the Rings, Jack Reacher--they're all part of the same heroic family. Reacher just ratchets it up a notch. Maybe more than a notch. Why is he so appealing? Most often people say to me it's his sense of justice; he will do the right thing. Even though there is no reward in it for him, even though there is often a high cost to be paid by him, he will always try to do the right thing and people find that reassuring in today’s world when not too many people are doing the right thing. Q: Jack Reacher gets compared to James Bond, Jack Bauer and Jason Bourne, each of whom now has a "face." In a movie, which actor do you think could fill Reacher's shoes? A: That's the toughest question. The thing about Reacher is he's huge; he’s 6'5" tall and about 250 pounds. There aren’t any actors that size--actors tend to be small. So we aren't going to find a physical facsimile for Reacher because there aren't any. We have to find someone who is capable of looking big on the screen. Many people have said to me a young Clint Eastwood would have been perfect--we need someone like that who has the vibe of a big intimidating man. Hopefully there will be somebody available like that. It's also a question of finding somebody ready to sign up for more than one movie. They want to make a franchise, minimum of three, and that makes it a little bit harder. Q: What research is involved in writing one of your stories? A: My research is all kind of backwards. I don't go to the public library for three months and take notes in advance; instead my best research is by remembering and adapting. I read, travel, and talk to people just for the fun of it, filing away these interesting little snippets to the back of my mind and eventually they float to the surface and get used. The problem is, I approach writing the book with the same excitement and impatience that I hope the reader is going to feel about reading it. But even so, I need a certain measure of technical intrigue in the story. There is specific research I have to do as I go along, anything that's a small detail; a car, a gun, a type of bullet. I will check that out at the time. But, that's what I call the detail--the broad stuff is the stuff I already know. Meet Jack Reacher The Killing Floor Die Trying Tripwire Running Blind Echo Burning Without Fail Persuader The Enemy One Shot The Hard Way

From Booklist

*Starred Review* The latest Jack Reacher thriller marks a significant departure from the rest of the series. Former military policeman Reacher, now a wanderer without an address, a phone, or an e-mail, discovers that someone has deposited $1,030 in his bank account and quickly deduces (1030 is the MP's code for urgent assistance needed) that the money represents a call for help from Frances Neagley, a sergeant in Reacher's old "special investigators" unit. Four members of the unit have been killed, and Neagley is rounding up the survivors to avenge their colleagues and, thus, live up to the group's motto: "You don't mess with the special investigators." There's a Magnificent Seven aspect to this scenario: bad stuff is happening to good people, and the old gang is rounded up to set things straight. Crime writers like to dust off this premise occasionally, usually as a way to bring back characters from earlier books (Robert B. Parker did it in Potshot, 2001), and Child works that angle effectively. But there's more going on here than a class reunion. Readers know Reacher only as a loner, a tough guy with his own agenda who falls into stranger's problems, solves them, and moves on, Shane-like. But here we see him functioning as part of a team, almost an organization man, and it reveals new and fascinating aspects to his character. But, as always, the action is intense, the pace unrelenting, and the violence unforgiving. Child remains the reigning master at combining breakneck yet brilliantly constructed plotting with characters who continually surprise us with their depth. Bill OttCopyright © American Library Association. All rights reserved

From AudioFile

There are few better narrators than Dick Hill. He renders the eleventh story in the Jack Reacher series with the same tone and attention to detail that Child gives it. This new novel continues to explore the lengths people will go to for money and revenge. Hill adds grit and gravel to his amazing voice and imagination to create an ambiance of gritty realism, colored blood red. A former member of Reachers U.S. Army investigative team turns up dead, and its up to this re-formed group to track down the murderers. New readers and fans of Child and Hill will find satisfaction in this character and his continuing adventures. R.O. AudioFile Best Audiobook of 2007 © AudioFile 2007, Portland, Maine-- Copyright © AudioFile, Portland, Maine

From Publishers Weekly

At the start of bestseller Child's winning 11th Jack Reacher adventure (after The Hard Way), the bad guys unceremoniously dump Calvin Franz, a former MP, from a Bell 222 helicopter "[t]hree thousand feet above the [California] desert floor." Trouble is, Franz was a member of the army's special investigation unit headed by Reacher—a one-time military cop who left the service to become a solitary drifter par excellence. A former colleague sends Reacher a coded SOS; the two rendezvous in L.A. and the game's afoot. More members of the band get back together, only to discover that Franz isn't the group's only casualty. As usual in Reacher's capers, practically nothing is what it seems, and the meticulously detailed route to the truth proves especially engrossing thanks to the joint efforts of this band of brothers (and two sisters). The author carefully delineates Reacher's erstwhile colleagues, their smart-ass banter masking an unspoken affection. The villains' comeuppance, a riveting eye-for-an-eye battle scene (hint: helicopter), is one of Child's more satisfying finales. (May) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine

Nearly ever critic faulted the title of Lee Child's newest Jack Reacher novel—but that minor complaint, lost in a sea of high praise—speaks volumes about the book's great merits. Child brings to Bad Luck and Trouble the same heart-racing plots, intriguing characters, and minimalist writing for which he's known; this time, reviewers note that Child has perfected his taut, no-nonsense dialogue. Reacher, the quirky antihero, also exhibits his mathematical talents: codes and probabilities add an intellectual dimension to the plot. Some readers may find the novel a little formulaic or anticlimactic, but critics agree that Child has produced one of his finest Reacher novels.Copyright © 2004 Phillips & Nelson Media, Inc.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter OneThe man was called Calvin Franz and the helicopter was a Bell 222. Franz had two broken legs, so he had to be loaded on board strapped to a stretcher. Not a difficult maneuver. The Bell was a roomy aircraft, twin-engined, designed for corporate travel and police departments, with space for seven passengers. The rear doors were as big as a panel van's and they opened wide. The middle row of seats had been removed. There was plenty of room for Franz on the floor.The helicopter was idling. Two men were carrying the stretcher. They ducked low under the rotor wash and hurried, one backward, one forward. When they reached the open door the guy who had been walking backward got one handle up on the sill and ducked away. The other guy stepped forward and shoved hard and slid the stretcher all the way inside. Franz was awake and hurting. He cried out and jerked around a little, but not much, because the straps across his chest and thighs were buckled tight. The two men climbed in after him and got in their seats behind the missing row and slammed the doors.Then they waited.The pilot waited.A third man came out a gray door and walked across the concrete. He bent low under the rotor and held a hand flat on his chest to stop his necktie whipping in the wind. The gesture made him look like a guilty man proclaiming his innocence. He tracked around the Bell's long nose and got in the forward seat, next to the pilot."Go," he said, and then he bent his head to concentrate on his harness buckle.The pilot goosed the turbines and the lazy whop-whop of the idling blade slid up the scale to an urgent centripetal whip-whip-whip and then disappeared behind the treble blast of the exhaust. The Bell lifted straight off the ground, drifted left a little, rotated slightly, and then retracted its wheels and climbed a thousand feet. Then it dipped its nose and hammered north, high and fast. Below it, roads and science parks and small factories and neat isolated suburban communities slid past. Brick walls and metal siding blazed red in the late sun. Tiny emerald lawns and turquoise swimming pools winked in the last of the light.The man in the forward seat said, "You know where we're going?"The pilot nodded and said nothing.The Bell clattered onward, turning east of north, climbing a little higher, heading for darkness. It crossed a highway far below, a river of white lights crawling west and red lights crawling east. A minute north of the highway the last developed acres gave way to low hills, barren and scrubby and uninhabited. They glowed orange on the slopes that faced the setting sun and showed dull tan in the valleys and the shadows. Then the low hills gave way in turn to small rounded mountains. The Bell sped on, rising and falling, following the contours below. The man in the forward seat twisted around and looked down at Franz on the floor behind him. Smiled briefly and said, "Twenty more minutes, maybe."Franz didn't reply. He was in too much pain.***The Bell was rated for a 161-mph cruise, so twenty more minutes took it almost fifty-four miles, beyond the mountains, well out over the empty desert. The pilot flared the nose and slowed a little. The man in the forward seat pressed his forehead against the window and stared down into the darkness."Where are we?" he asked.The pilot said, "Where we were before.""Exactly?""Roughly.""What's below us now?""Sand.""Height?""Three thousand feet.""What's the air like up here?""Still. A few thermals, but no wind.""Safe?""Aeronautically.""So let's do it."The pilot slowed more and turned and came to a stationary hover, three thousand feet above the desert floor. The man in the forward seat twisted around again and signaled to the two guys way in back. Both unlocked their safety harnesses. One crouched forward, avoiding Franz's feet, and held his loose harness tight in one hand and unlatched the door with the other. The pilot was half-turned in his own seat, watching, and he tilted the Bell a little so the door fell all the way open under its own weight. Then he brought the craft level again and put it into a slow clockwise rotation so that motion and air pressure held the door wide. The second guy from the rear crouched near Franz's head and jacked the stretcher upward to a forty-five degree slope. The first guy jammed his shoe against the free end of the stretcher rail to stop the whole thing sliding across the floor. The second guy jerked like a weightlifter and brought the stretcher almost vertical. Franz sagged down against the straps. He was a big guy, and heavy. And determined. His legs were useless but his upper body was powerful and straining hard. His head was snapping from side to side.The first guy took out a gravity knife and popped the blade. Used it to saw through the strap around Franz's thighs. Then he paused a beat and sliced the strap around Franz's chest. One quick motion. At the exact same time the second guy jerked the stretcher fully upright. Franz took an involuntary step forward. Onto his broken right leg. He screamed once, briefly, and then took a second instinctive step. Onto his broken left leg. His arms flailed and he collapsed forward and his upper-body momentum levered him over the locked pivot of his immobile hips and took him straight out through the open door, into the noisy darkness, into the gale-force rotor wash, into the night.Three thousand feet above the desert floor.For a moment there was silence. Even the engine noise seemed to fade. Then the pilot reversed the Bell's rotation and rocked the other way and the door slammed neatly shut. The turbines spun up again and the rotor bit the air and the nose dropped.The two guys clambered back to their seats.The man in front said, "Let's go home now."2Seventeen days later Jack Reacher was in Portland, Oregon, short of money. In Portland, because he had to be somewhere and the bus he had ridden two days previously had stopped there. Short of money, because he had met an assistant district attorney called Samantha in a cop bar, and had twice bought her dinner before twice spending the night at her place. Now she had gone to work and he was walking away from her house, nine o'clock in the morning, heading back to the downtown bus depot, hair still wet from her shower, sated, relaxed, destination as yet unclear, with a very thin wad of bills in his pocket.The terrorist attacks of September 11th, 2001, had changed Reacher's life in two practical ways. Firstly, in addition to his folding toothbrush he now carried his passport with him. Too many things in the new era required photo ID, including most forms of travel. Reacher was a drifter, not a hermit, restless, not dysfunctional, and so he had yielded gracefully.And secondly, he had changed his banking methods. For many years after leaving the army he had operated a system whereby he would call his bank in Virginia and ask for a Western Union wire transfer to wherever he happened to be. But new worries about terrorist financing had pretty much killed telephone banking. So Reacher had gotten an ATM card. He carried it inside his passport and used 8197 as his PIN. He considered himself a man of very few talents but some varied abilities, most of which were physical and related to his abnormal size and strength, but one of which was always knowing what time it was without looking, and another of which was some kind of a junior-idiot-savant facility with arithmetic. Hence 8197. He liked 97 because it was the largest two-digit prime number, and he loved 81 because it was absolutely the only number out of all the literally infinite possibilities whose square root was also the sum of its digits. Square root of eighty-one was nine, and eight and one made nine. No other nontrivial number in the cosmos had that kind of sweet symmetry. Perfect.His arithmetic awareness and his inherent cynicism about financial institutions always compelled him to check his balance every time he withdrew cash. He always remembered to deduct the ATM fees and every quarter he remembered to add in the bank's paltry interest payment. And despite his suspicions, he had never been ripped off. Every time his balance came up exactly as he predicted. He had never been surprised or dismayed.Until that morning in Portland, where he was surprised, but not exactly dismayed. Because his balance was more than a thousand dollars bigger than it should have been.Exactly one thousand and thirty dollars bigger, according to Reacher's own blind calculation. A mistake, obviously. By the bank. A deposit into the wrong account. A mistake that would be rectified. He wouldn't be keeping the money. He was an optimist, but not a fool. He pressed another button and requested something called a mini-statement. A slip of thin paper came out of a slot. It had faint gray printing on it, listing the last five transactions against his account. Three of them were ATM cash withdrawals that he remembered clearly. One of them was the bank's most recent interest payment. The last was a deposit in the sum of one thousand and thirty dollars, made three days previously. So there it was. The slip of paper was too narrow to have separate staggered columns for debits and credits, so the deposit was noted inside parentheses to indicate its positive nature: (1030.00).One thousand and thirty dollars.1030.Not inherently an interesting number, but Reacher stared at it for a minute. Not prime, obviously. No even number greater than two could be prime. Square root? Clearly just a hair more than thirty-two. Cube root? A hair less than ten and a tenth. Factors? Not many, but they included 5 and 206, along with the obvious 10 and 103 and the even more basic 2 and 515.So, 1030.A thousand and thirty.A mistake.Maybe.Or, maybe not a mistake.Reacher took fifty dollars from the machine and dug in his pocket for change and went in search of a pay phone.***He found a phone inside the bus depot. He dialed his bank's number from memory. Nine-forty in the West, twelve-forty in the East. Lunch time in Virginia, but someone should be there.And someone was. Not someone Reacher had ever spoken to before, but she sounded competent. Maybe a back-office manager hauled out to cover for the meal period. She gave her name, but Reacher didn't catch it. Then she went into a long rehearsed introduction designed to make him feel like a valued customer. He waited it out and told her about the deposit. She was amazed that a customer would call about a bank error in his own favor."Might not be an error," Reacher said."Were you expecting the deposit?" she asked."No.""Do third parties frequently make deposits into your account?""No.""It's likely to be an error, then. Don't you think?""I need to know who made the deposit.""May I ask why?""That would take some time to explain.""I would need to know," the woman said. "There are confidentiality issues otherwise. If the bank's error exposes one customer's affairs to another, we could be in breach of all kinds of rules and regulations and ethical practices.""It might be a message," Reacher said."A message?""From the past.""I don't understand.""Back in the day I was a military policeman," Reacher said. "Military police radio transmissions are coded. If a military policeman needs urgent assistance from a colleague he calls in a ten-thirty radio code. See what I'm saying?""No, not really."Reacher said, "I'm thinking that if I don't know the person who made the deposit, then it's a thousand and thirty bucks' worth of a mistake. But if I do know the person, it might be a call for help.""I still don't understand.""Look at how it's written. It might be a ten-thirty radio code, not a thousand and thirty dollars. Look at it on paper.""Wouldn't this person just have called you on the phone?""I don't have a phone.""An e-mail, then? Or a telegram. Or even a letter.""I don't have addresses for any of those things.""So how do we contact you, usually?""You don't.""A credit into your bank would be a very odd way of communicating.""It might be the only way.""A very difficult way. Someone would have to trace your account.""That's my point," Reacher said. "It would take a smart and resourceful person to do it. And if a smart and resourceful person needs to ask for help, there's big trouble somewhere.""It would be expensive, too. Someone would be out more than a thousand dollars.""Exactly. The person would have to be smart and resourceful and desperate."Silence on the phone. Then: "Can't you just make a list of who it might be and try them all?""I worked with a lot of smart people. Most of them a very long time ago. It would take me weeks to track them all down. Then it might be too late. And I don't have a phone anyway."More silence. Except for the patter of a keyboard.Reacher said, "You're looking, aren't you?"The woman said, "I really shouldn't be doing this.""I won't rat you out."The phone went quiet. The keyboard patter stopped. Reacher knew she had the name right there in front of her on a screen."Tell me," he said."I can't just tell you. You'll have to help me out.""How?""Give me clues. So I don't have to come right out with it.""What kind of clues?"She asked, "Well, would it be a man or a woman?"Reacher smiled, briefly. The answer was right there in the question itself. It was a woman. Had to be. A smart, resourceful woman, capable of imagination and lateral thinking. A woman who knew about his compulsion to add and subtract."Let me guess," Reacher said. "The deposit was made in Chicago.""Yes, by personal check through a Chicago bank.""Neagley," Reacher said."That's the name we have," the woman said. "Frances L. Neagley.""Then forget we ever had this conversation," Reacher said. "It wasn't a bank error."From the Hardcover edition.

Janet Maslin, The New York Times

“Electrifying . . . This series [is] utterly addictive.”

Chicago Tribune

“[An] action-packed thrill ride.”

Entertainment Weekly

“A slam-bang yarn filled with Child’s usual terse life-and-death lessons.”

The Plain Dealer

“A breathless, ultra-cool novel with relentless pacing.”

About the Author

Lee Child is the author of nineteen New York Times bestselling Jack Reacher thrillers, ten of which have reached the #1 position. All have been optioned for major motion pictures; the first, Jack Reacher, was based on One Shot. Foreign rights in the Reacher series have sold in almost a hundred territories. A native of England and a former television director, Lee Child lives in New York City.

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