Spider

Spider is gaunt, threadbare, unnerved by everything from his landlady to the smell of gas. He tells us his story in a storm of beautiful language that slowly reveals itself as a fiendishly layered construction of truth and illusion. With echoes of Beckett, Poe, and Paul Bowles, Spider is a tale of horror and madness, storytelling and skepticism, a novel whose dizzying style lays bare the deepest layers of subconscious terror.

Amazon.com Review

I cut into my potato, and dead in the middle of the halved potato there was a . . . thick, slow discharge I recognized as blood. A wry, mesmerizing tale of madness in a London suffused with the smells of jellied eels, leaking gas, outdoor lavatories and furry feet. Spider obsesses about wetness and fire and sexuality, about "this business of the thought patterns" and "the dead eyes" of his father and a woman named Hilda. Somewhere inside Spider's internal web of illusions lurks the truth about his mother's death.

From Publishers Weekly

In this "closely observed study of madness, memory and storytelling" the delusional Dennis Clegg, aka Spider, returns to his London neighborhood after 20 years in a mental hospital and insists that his father, not he, murdered his mother. "An admixture of Poe and the comic vulnerabilities of Beckett, this tale lingers long and disturbingly in the mind," said PW. Copyright 1991 Reed Business Information, Inc.

Michiko Kakutani, The New York Times

"A small classic of horror."

Katherine Dunn, The New York Times Book Review

"Brilliant. . . . The sensuous world that McGrath creates is intense in its beauty. . . mesmerizing."

Chicago Tribune

"Disturbing, wholly absorbing. . . a combination murder mystery/dark-night-of-the-soul. . . touchingly, menacingly brilliant."

Jonathan Hawkes

"A gorgeous, painful howl of madness, shockingly perfect."

Washington Post Book World

"Has the compelling quality of felt reality [that] feels like the inevitable truth. Spider is a thriller of sorts, as well as a psychological case study. . . a gem."

Cleveland Plain Dealer

"McGrath especially excels at evoking the latent horro in commonplace sights. . . . [He] has created a manifestly untrustworthy storyteller without sacrificing suspense or sympathy for his characters."

Newsday

"[Spider] is as creepy as a fleshy incarnation of an Edward Gorey drawing. . . . McGrath's a shrewd performer. You're fascinated; you're enthralled. . . it's a pleasure to be mesmerized."

Christian Science Monitor

"Truly outstanding. . . evocative. . . Accomplished in the sinister and macabre, McGrath transcends his already solid reputation with a powerfully realized character who simply won't let you go."

in spades."

"The strength of Spider is in the character of the deeply human, if mad, protagonist who emerges as a formidable sufferer among the Gothic trappings. . . . McGrath is a sly literate who. . . has talent

From the Inside Flap

Spider is gaunt, threadbare, unnerved by everything from his landlady to the smell of gas. He tells us his story in a storm of beautiful language that slowly reveals itself as a fiendishly layered construction of truth and illusion. With echoes of Beckett, Poe, and Paul Bowles, Spider is a tale of horror and madness, storytelling and skepticism, a novel whose dizzying style lays bare the deepest layers of subconscious terror.

From the Back Cover

Spider is gaunt, threadbare, unnerved by everything from his landlady to the smell of gas. He tells us his story in a storm of beautiful language that slowly reveals itself as a fiendishly layered construction of truth and illusion.

About the Author

Patrick McGrath was born in London and grew up near Broadmoor Hospital, where for many years his father was medical superintendent. He is the author of Blood and Water and Other Tales, The Grotesque, Spider, Dr. Haggard's Disease, and Martha Peake, and he was the co-editor, with Bradford Morrow, of The New York Gothic. He lives in New York City and London, and is married to actress Maria Aitken.

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