Silver Birch, Blood Moon (Fairy Tale Anthologies)

Winner of the World Fantasy Award: New twists on classic fairy tales from Neil Gaiman, Patricia Briggs, Robin McKinley, Caitlín R. Kiernan, and more. Long ago, when we were children, our dreams were inspired by the fairy tales we heard at our mothers’ and grandmothers’ knees—stories of princesses and princes and witches and wondrous enchantments, by the Brothers Grimm and Hans Christian Andersen, and from the pages of 1001 Arabian Nights. But, as World Fantasy Award–winning editors Ellen Datlow and Terri Windling remind us, these stories were often tamed and sanitized versions. The originals were frequently darker—and in Silver Birch, Blood Moon, they turn darker still. Twenty-one modern Grimms and Andersens—masterful storytellers including Neil Gaiman, Nancy Kress, and Tanith Lee—now reinvent beloved bedtime stories for our time. The Sea Witch gets her say, relating the story of “The Little Mermaid” from her own point of view. “Thumbelina” becomes a tale of creeping horror, while a delightfully naughty spin is put on “The Emperor’s New Clothes.” Author Caitlín R. Kiernan transports Snow White to a dark, gritty, industrial urban setting, and Patricia Briggs details “The Price” of dealing with a royal and unrepentantly evil Rumpelstiltskin. Rich, provocative, and unabashedly adult, each of these tales is a modern treasure, reminding us that wishes have consequences and not all genies have our best interests at heart.

Amazon.com Review

Forget about Andrew Lang--Ellen Datlow and Terri Windling argue that fairy tales are not the pastel fantasies of Victorian children's books but rather are drawn with primary passions: love, hate, greed, sacrifice, joy, and sorrow. Silver Birch, Blood Moon is their fifth anthology of original stories with fairy tale sources, "reimagined" for adults. Nancy Kress retells "The Emperor's New Clothes" with a delightful twist in "Clad in Gossamer"; Harvey Jacobs unleashes laughter with "The Vanishing Virgin," starring an untalented magician, his lovely but frozen assistant, and "a balding, sullen rabbit" called Pooper; Michael Cadnum and Nalo Hopkinson present equally pointed but distinctly different takes on the story of two sisters spelled to speak according to their natures in "Toad Rich" and "Precious"; Wendy Wheeler reworks "Beauty and the Beast" using Caribbean colors in "Skin So Green and Fine"; and Richard William Asplund blends the Arabian genie with the wonder-working rabbi of Hasidic legends to create "The Dybbuk in the Bottle." The stories here are less gruesome than in the previous collections, and both sexes claim heroic as well as villainous characters. So enter imagination's marketplace, and watch the storytellers at work. It's amazing what they can do with a bit of old legend. --Nona Vero

SF Site

“Refreshingly entertaining . . . Wonderfully haunting . . . Heart-rending, poignant, and brutal.”

SFRevu

“Datlow and Windling have added a fifth book to their triumphant series of adult fairy-tale anthologies. . . . Mysterious and marvelous, each of the 21 stories in Silver Birch, Blood Moon is a masterpiece in its own right.”

About the Author

Ellen Datlow, an acclaimed science fiction and fantasy editor, was born and raised in New York City. She has been a short story and book editor for more than thirty years and has edited or coedited several critically acclaimed anthologies of speculative fiction, including the Year’s Best Fantasy and Horror series and Black Thorn, White Rose (1994) with Terri Windling. Datlow has received numerous honors, including multiple Shirley Jackson, Bram Stoker, Hugo, Locus, and World Fantasy Awards, and Life Achievement Awards from the Horror Writers Association and the World Fantasy Association, to name just a few. She resides in New York.   Terri Windling is a writer, editor, and artist specializing in fantasy literature, folklore, and mythic arts. She has published over forty books, receiving nine World Fantasy Awards, the Mythopoeic Award (for her novel The Wood Wife), the Bram Stoker Award, and the SFWA’s Solstice Award for “outstanding contributions to the speculative fiction field as a writer, editor, artist, educator, and mentor.” She writes essays on folklore and fantasy; maintains a popular blog on these subjects (Myth & Moor); and is on the board of the Chichester Centre for Fairy Tales, Folklore, and Speculative Fiction (Chichester University). She also creates myth-inspired visual art for exhibition in the US and Europe; and she’s a member of the Modern Fairies music-and-folklore project (Oxford & Sheffield Universities). A former New Yorker, she now lives with her British husband and family in Devon, England.

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