Godkiller, Vol 3: Tomorrow's Ashes (3)

"Fast, brutal, and more than a little sexy." (-Nerdist)From Matteo Pizzolo (CALEXIT) and Anna Wieszczyk, the comic that Zac Thompson said "pushed me further than I've ever been pushed” returns to ratchet up the chaos, spitting punk rock fury, thundering into your eyeballs and running roughshod across your brains with its often mindbending, sometimes horrifying, always clever & devious tale of sci-fi magic, apocalyptic sex, and subversive mindbombs. "A singular vision full of fresh elegant brutality and dark humor, it’s like some genius commissioned Chuck Palahniuk, Terry Gilliam, and Aleister Crowley to reinvent dystopia fiction." - Justin Benson & Aaron Moorhead (filmmakers Synchronic, The Endless, Moon Knight on Disney+) "The embodiment of what Black Mask is all about as a publisher: Bold, visceral storytelling unconcerned with being pinned down in one genre or category." (-SYFY Wire)

Benjamin Bailey, Nerdist

”Fast, brutal, and more than a little sexy.”

Ambush Bug, Ain't It Cool News

"It's like SAGA meets JOHNNY THE HOMICIDAL MANIAC... This devious world of GODKILLER is a place you'll want to dive into despite how dark it is."

Hank Rea, Lotusland

“If SAGA toiled in the underbelly of a dystopian society full of grime and subjective morality, there you'd find GODKILLER. A potent mix of BLADE RUNNER, HEAVY METAL, and AKIRA… imaginative, audacious, uninhibited.”

Matthew Jackson, Syfy Wire

"The embodiment of what Black Mask is all about as a publisher: Bold, visceral storytelling unconcerned with being pinned down in one genre or category.”

About the Author

Maria Llovet is a multidisciplinar artist from Barcelona. She’s passionate about Fashion and Cinema. As a comic author she has published four graphic novels in different countries in Europe and debuted recently in the comic book US market, besides working in several illustration projects. Her style has its roots in the Japanese manga but drinks copiously from european art in general, and from the fashion industry. It's also characterized by a great cinematographic influence in its visual narrative. Sex and death are the big two central themes in her work.

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