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The Chains That You Refuse

The Chains That You Refuse

“What Bear has done...is create a world that is all too plausible, one wracked by environmental devastation and political chaos...she conducts a tour of this society’s darker corners, offering an unnerving peek into a future humankind would be wise to avoid.” —Science Fiction Weekly From Elizabeth Bear, 2005 John W. Campbell Best New Writer Award winner and author of the critically acclaimed and wildly popular Jenny Casey Trilogy: Hammered, Scardown, and Worldwired, comes The Chains That You Refuse, a collection of dazzling short fiction featuring twenty-one genre-bending stories and one poem, including the exhilarating and previously uncollected Jenny Casey origin story “Gone to Flowers.” These scintillating and surprising tales, many never before collected or published, are drawn from inspirations as varied as Norse legends, Lovecraftian horrors, and the American murder ballad “Stagger Lee,” and showcase Elizabeth Bear’s remarkable and imaginative storytelling talents. Whether set in a distant mythic kingdom, in modern-day Las Vegas, or in the far-future sunken city of New Orleans, Bear’s enthusiastic narratives blur the lines between traditional speculative fiction, fantasy, horror, and fable with unflinching grace and wide-eyed wonder. Whether you are already a fan of Elizabeth Bear or not, The Chains That You Refuse demonstrates, beyond a doubt, why David Brin called Elizabeth Bear “a talent to watch.”

From Publishers Weekly

Fans of literate fantasy may embrace the 22 inventive tales in Bear's first story collection, but others will be put off by the experimental entries with their nonlinear, often static narratives and extreme emotional detachment. Little happens, for example, in the opening tale, "L'esprit d'escalier: Not a Play in One Act," about a man writing a play about Christopher Marlowe, John Keats and Allen Ginsberg in the afterlife. Bear (Hammered) is better when forced into the more traditional discipline of the Victorian pastiche with "Tiger! Tiger!" in which the world of Sherlock Holmes collides with that of H.P. Lovecraft. Perhaps the most successful story is "Seven Dragons Mountain," which mixes Chinese dragons and airships, but again a clever idea could have benefited from a more gripping execution. (July) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

The title story of Bear's collection is a tiny piece on the uselessness of knowing the future. Its volume mates leap from one trope to another, all over the genre map. Without exception, they are bright moments of storytelling, whether they concern mysterious creatures a la Lovecraft, time travel, political intrigue, epic battles, or the queen of the Seelie Fay. In "This Tragic Glass," Kit Marlowe's data throw off research on Renaissance poets at the University of Nevada, and the scholars arrange to bring him to their time (they've already got Keats) to reveal his greatest secret. Bear is as comfortable reimagining great literary figures--in "L'esprit d'escalier--Not a Play in One Act," besides Marlowe and Keats, she brings in Ginsberg, Shakespeare, Shelley, even Brautigan--as extrapolating physicists: "Schrodinger's Cat Chases the Super String" includes a conversation among Bohr, Schrodinger, Einstein, Heisenberg, and the Curies. An extraordinary gathering of stories that showcases Bear's chops most effectively. Regina SchroederCopyright © American Library Association. All rights reserved

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