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Black Heart, Ivory Bones (Fairy Tale Anthologies)

20 fairy tales hauntingly reimagined by some of today’s finest sci-fi and fantasy authors, including Joyce Carol Oates, Neil Gaiman, Tanith Lee, and more. Once upon a time, all our cherished dreams began with the words once upon a time. This is the phrase that opened our favorite tales of princes and spells and magical adventures. World Fantasy Award–winning editors Ellen Datlow and Terri Windling understand the power of beloved stories—and in Black Heart, Ivory Bones, their sixth anthology of reimagined fairy tales, they have gathered together stories and poetry from some of the most acclaimed writers of our time, including Neil Gaiman, Tanith Lee, Charles de Lint, and Joyce Carol Oates. But be forewarned: These fairy tales are not for children. A prideful Texas dancer is cursed by a pair of lustrous red boots . . . Goldilocks tells all about her brutal and wildly dysfunctional foster family, the Bears . . . An archaeologist in Victorian England is enchanted by a newly exhumed Sleeping Beauty . . . A prince of tabloid journalism is smitten by a trailer-park Rapunzel . . . A clockwork amusement park troll becomes sentient and sets out to foment an automaton revolution. These are but a few examples of the marvels that await within these pages—tales that range from the humorous to the sensuous to the haunting and horrifying, each one a treasure with a distinctly adult edge.

Amazon.com Review

This sixth anthology in the adult fairy-tale series by acclaimed editors Ellen Datlow and Terri Windling presents another diverse collection of stories and poems loosely based on folklore traditions around the world. Readers familiar with previous books in the series will recognize the names of many regular contributors, including Tanith Lee, Jane Yolen, Esther Friesner, and Joyce Carol Oates, as well as works from Neil Gaiman, Charles de Lint, and others. Tanith Lee's "Rapunzel" opens the collection with a charmingly simple reconstruction of that classic fairy tale. Esther Friesner's "Big Hair" takes the same theme into the present with less cheerful results. Greg Costikyan considers the fate of an ensorcelled sleeping beauty dug up by archaeologists centuries later in "And Still She Sleeps," while Jane Yolen's "Snow in Summer" turns the tables on Snow White's evil stepmother with a deep-dish apple pie and a fry pan. Scott Bradfield's "Goldilocks Tells All" is especially memorable for its Jerry Springer-like portrayal of the ultimate dysfunctional family. Leah Cutter considers the loneliness of living under a curse in her Texas two-step story "The Red Boots." Severna Park's feminist "The Golem" revives a Jewish folktale, while Bryn Kanar's haunting "Dreaming Among Men" draws on Native American legend. Howard Waldrop's "Our Mortal Span" is perhaps the most unique story here, a surprising blend of black comedy, killer-robot story, and fairy tale. While on the whole this collection isn't as strong as previous volumes, it still delivers a fine array of thoughtful writing on some of the best-known--and yet unknown--stories we love. --Charlene Brusso

From School Library Journal

YA-Continuing their successful project of producing rich, adult-oriented anthologies with fairy-tale motifs, the editors have enlisted 20 contemporary authors to share creations that have clear roots in fairy lore. Tanith Lee, Neil Gaiman, Jane Yolen, Brian Stableford, Michael Cadnum, Charles de Lint, and Joyce Carol Oates are among the literary luminaries who have contributed new work here. Many of the settings are contemporary, the characters share the realistic traits that make those who inhabit traditional fairy stories sympathetic, and their predicaments and exploits are compelling. Brief introductions and endnotes accompanying each tale provide just enough context to enrich readers' understanding of how and why the author may have constructed this particular tale. Esther Friesner's "Big Hair," for instance, will make readers think about the JonBenet Ramsey case, but the author disclaims this association. Severna Park provides a quick but lucid argument for the comparison her tale makes between the status of women and the status of Jews. Several of the stories are presented in alternative narrative styles, including Gaiman's blank-verse entry and Susanna Clarke's epistolary format. Teen readers dedicated to exploring fairy tale and myth will delight in this new volume. Further, it invites those who might just be experimenting with the genre to delve beyond this first taste of it. Several of the tales lend themselves to directed reading and analysis.Francisca Goldsmith, Berkeley Public Library, CA Copyright 2000 Reed Business Information, Inc.

SF Site

“Marvelous . . . Wonderful . . . Magical . . . A beautiful way to complete this outstanding series.”

The Washington Post Book World

“Datlow and Windling’s series gives the reader a look at what some of our best storytellers are doing today.”

About the Author

Ellen Datlow, an acclaimed science fiction and fantasy editor, was born and raised in New York City. She has been a short story and book editor for more than thirty years and has edited or coedited several critically acclaimed anthologies of speculative fiction, including the Year’s Best Fantasy and Horror series and Black Thorn, White Rose (1994) with Terri Windling. Datlow has received numerous honors, including multiple Shirley Jackson, Bram Stoker, Hugo, Locus, and World Fantasy Awards, and Life Achievement Awards from the Horror Writers Association and the World Fantasy Association, to name just a few. She resides in New York.   Terri Windling is a writer, editor, and artist specializing in fantasy literature, folklore, and mythic arts. She has published over forty books, receiving nine World Fantasy Awards, the Mythopoeic Award (for her novel The Wood Wife), the Bram Stoker Award, and the SFWA’s Solstice Award for “outstanding contributions to the speculative fiction field as a writer, editor, artist, educator, and mentor.” She writes essays on folklore and fantasy; maintains a popular blog on these subjects (Myth & Moor); and is on the board of the Chichester Centre for Fairy Tales, Folklore, and Speculative Fiction (Chichester University). She also creates myth-inspired visual art for exhibition in the US and Europe; and she’s a member of the Modern Fairies music-and-folklore project (Oxford & Sheffield Universities). A former New Yorker, she now lives with her British husband and family in Devon, England.

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