Spooked

Aimee is different from her classmates: she can see and talk to ghosts. She even invites one to come home with her and be her best friend. Part one of a two-part story.

Thank you, Aimee, for sharing your story with Spooked! Aimee makes awesome handmade paper items, check out her store.

Produced by Annie Nguyen, original score by Jordain Wallace, artwork by Teo Ducot

Chantal’s dad insists the house is fine. Chantal’s mom says the place is haunted and gives her the creeps. Chantal doesn’t want to pick sides, but she knows her mom is onto something.

This episode contains mention of suicide and massacres, sensitive listeners please be advised.

Thank you, Chantal, for sharing your story with us!

Produced by Zoë Ferrigno, original score by Dakim, artwork by Teo Ducot

Octavia doesn’t let anyone near her dolls. Sure seems like the dolls want to get near to her, though.

Thanks, Octavia, for sharing your story with us here at Spooked! Octavia Sexton is an Appalachian storyteller and teaching artist in Kentucky. Learn more about Octavia at her website.

Produced by Anne Ford, original score by Doug Stuart, artwork by Teo Ducot

You know that house, the one at the end of the block? The one the kids all dare each other to break into? Well, Mary El is about to move into it. And she’s pretty sure the landlord isn’t telling her family something important about the house’s past. 

Thank you, Mary El Grammer, for sharing your story with us! 

Produced by Zoë Ferrigno, original score by Nicholas Marks, artwork by Teo Ducot

Old houses have seen so many occupants. And just because former tenants have moved out, doesn’t mean they’ve truly left.

STORIES

Mirror in the Bathroom

When Pastor Sara Bishop looks in the mirror at her new house, she can’t see herself. She can see the last tenant... and he’s been dead for a long time.

Thank you, Sara, for sharing your story with Spooked.

Produced by Annie Nguyen, original score by Leon Morimoto

Haunted Hacienda

You’re not supposed to mess around with mirrors and Bloody Mary. You’re not supposed to mess around with Ouija boards. And you’re definitely not supposed to mess around with white magic. But Jose Moreno and his friends don’t know that... yet.

Thank you, Jose Moreno, for sharing your story.

Produced by Chris Hambrick with help from Erick Yañez. Original score by Davey Kim. Artwork by Teo Ducot.

When Jayson first arrives at Camp Pendleton, he knows that the military base has quite a history. But he’s about to find out just how active history can be.

Thank you, Jayson, for sharing your story with Spooked!

Produced by Zoë Ferrigno, original score by Nicholas Marks, artwork by Teo Ducot

Jessica keeps seeing her least favorite great aunt, Opal. She keeps telling her grandma, make Opal leave me alone. But Jessica’s grandma can’t do anything… because Opal’s been dead for weeks.

Thank you, Jessica, for sharing your story with Spooked!

Produced by Greta Weber, original score by Clay Xavier, artwork by Teo Ducot

Amelia’s trapped in a bad marriage. Her dad has a secret to get her out.

This story contains themes of domestic abuse. Please take care while listening.

Thanks, Amelia, for sharing your story with us.

Produced by Anne Ford, original score by Yari Bundy. Special thanks to Cody Harjo and Ezra Vazquez-D'Amico. Artwork by Teo Ducot.

Sabina starts to get a creeping feeling that she’s not alone in her childhood home in Perth, Australia. She wonders what could be there. But when she finally finds out… she can’t believe her eyes.

Thank you, Sabina, for sharing your story with Spooked! If you want more stories from Sabina, check out her book: Muckross Abbey and Other Stories

Produced by Zoë Ferrigno, original score by Lalin St. Juste, artwork by Teo Ducot

Everyone in Diane’s house has a different bedtime. When someone sits on the edge of her bed, waking her up, she’s not shocked. Until she looks to see who it is, and no one’s there.

Thank you, Diane, Brian, Xavier, Charlie, and Bennett for sharing your story with us here at Spooked.

Produced by Annie Nguyen, original score by Doug Stuart, artwork by Teo Ducot